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Confrontarsi con l’assenza

Nuove prospettive di ricerca e di visualizzazione di un dimenticato museo a cielo aperto della Roma del Rinascimento

Arianna Farina    Quasar Institute for Advanced Design, Roma; Università Suor Orsola Benincasa, Napoli    

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abstract

The city is a set of arbitrary visual experiences dispersed in time that must necessarily be integrated. In studying the absences, Bruno Toscano writes that “the city would appear to us in a less verisimilar facies if we resigned ourselves to consider it forever amputated of the missing parts just because they are missing”. The comparison with an evanescent patrimony such as the painted facades in Renaissance Rome imposes a methodological reflection on various fields of application. The loss could instead open up research perspectives and propose new ways of restoring the memory of the genre. The ambition is to make usable again an aspect of Renaissance Rome in its sedimentation and specificity as an object of vision and reconstruction and as a specific field of Digital Humanities.

Pubblicato
30 Giugno 2022
Accettato
17 Maggio 2022
Presentato
28 Febbraio 2022
Lingua
IT

Keywords: Italian RenaissanceUrban environmentVirtual heritageHistory of artDigital Humanities

Copyright: © 2022 Arianna Farina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.