Confrontarsi con l’assenza

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Campo DC	Valore
dc.identifier	ECF_article_8776
dc.title	Confrontarsi con l’assenza. Nuove prospettive di ricerca e di visualizzazione di un dimenticato museo a cielo aperto della Roma del Rinascimento
dc.contributor.author	Farina Arianna
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.unive.it/it/edizioni4/riviste/magazen/2022/1/confrontarsi-con-lassenza/
dc.description.abstract	The city is a set of arbitrary visual experiences dispersed in time that must necessarily be integrated. In studying the absences, Bruno Toscano writes that “the city would appear to us in a less verisimilar facies if we resigned ourselves to consider it forever amputated of the missing parts just because they are missing”. The comparison with an evanescent patrimony such as the painted facades in Renaissance Rome imposes a methodological reflection on various fields of application. The loss could instead open up research perspectives and propose new ways of restoring the memory of the genre. The ambition is to make usable again an aspect of Renaissance Rome in its sedimentation and specificity as an object of vision and reconstruction and as a specific field of Digital Humanities.
dc.relation.ispartof	magazén
dc.relation.ispartof	Vol. 3 \| Num. 1 \| Giugno 2022
dc.issued	2022-06-30
dc.dateAccepted	2022-05-17
dc.dateSubmitted	2022-02-28
dc.identifier.issn
dc.identifier.eissn	2724-3923
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/mag/2724-3923/2022/05/004
dc.peer-review	yes
dc.subject	Digital Humanities
dc.subject	History of art
dc.subject	Italian Renaissance
dc.subject	Urban environment
dc.subject	Virtual heritage

Articolo
open access peer reviewed

Nuove prospettive di ricerca e di visualizzazione di un dimenticato museo a cielo aperto della Roma del Rinascimento

Arianna Farina Quasar Institute for Advanced Design, Roma; Università Suor Orsola Benincasa, Napoli

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abstract

The city is a set of arbitrary visual experiences dispersed in time that must necessarily be integrated. In studying the absences, Bruno Toscano writes that “the city would appear to us in a less verisimilar facies if we resigned ourselves to consider it forever amputated of the missing parts just because they are missing”. The comparison with an evanescent patrimony such as the painted facades in Renaissance Rome imposes a methodological reflection on various fields of application. The loss could instead open up research perspectives and propose new ways of restoring the memory of the genre. The ambition is to make usable again an aspect of Renaissance Rome in its sedimentation and specificity as an object of vision and reconstruction and as a specific field of Digital Humanities.

Subtags: Communication Image data Visualisation Participation Preservation Monuments Technology Society Works of Art

Pubblicato

30 Giugno 2022

Accettato

17 Maggio 2022

Presentato

28 Febbraio 2022

Lingua

Keywords: Digital Humanities • Italian Renaissance • History of art • Virtual heritage • Urban environment

permalink http://doi.org/10.30687/mag/2724-3923/2022/05/004

Copyright: © 2022 Arianna Farina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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