La banalizzazione dello sguardo: Tempo di uccidere dal romanzo al…

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Campo DC	Valore
dc.identifier	ECF_article_9700
dc.title	La banalizzazione dello sguardo: Tempo di uccidere dal romanzo al film
dc.contributor.author	Lilli Silvia
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/il-tolomeo/2022/1/la-banalizzazione-dello-sguardo-tempo-di-uccidere/
dc.description.abstract	In 1989 was released the cinematographic adaptation of Ennio Flaiano’s novel (1947) Tempo di uccidere (Time to kill) directed by Giuliano Montaldo. This contribution analyses the narratological features of the two versions, showing how in the medial switch the critical sight on Italian colonialism of the novel is turned to a shallow tale where is instead enforced the traditional view of white male superiority, due to the loss of the inner focus, the misread representation of characters, and the underestimation of episodes which served in the book to undermine colonizer’s self-sight and disclose the identity crisis of the following chapters.
dc.relation.ispartof	Il Tolomeo
dc.relation.ispartof	Vol. 24 \| Dicembre 2022
dc.issued	2022-12-19
dc.dateAccepted	2022-10-14
dc.dateSubmitted	2022-06-29
dc.identifier.issn
dc.identifier.eissn	2499-5975
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Tol/2499-5975/2022/01/012
dc.peer-review	yes
dc.subject	Cinematography
dc.subject	Cultural difference
dc.subject	Ennio Flaiano
dc.subject	Narrativity
dc.subject	Postcolonialism
dc.subject	Transmediality

Articolo
open access peer reviewed

La banalizzazione dello sguardo: Tempo di uccidere dal romanzo al film

Silvia Lilli Università di Roma «Tor Vergata», Italia

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abstract

In 1989 was released the cinematographic adaptation of Ennio Flaiano’s novel (1947) Tempo di uccidere (Time to kill) directed by Giuliano Montaldo. This contribution analyses the narratological features of the two versions, showing how in the medial switch the critical sight on Italian colonialism of the novel is turned to a shallow tale where is instead enforced the traditional view of white male superiority, due to the loss of the inner focus, the misread representation of characters, and the underestimation of episodes which served in the book to undermine colonizer’s self-sight and disclose the identity crisis of the following chapters.

Pubblicato

19 Dicembre 2022

Accettato

14 Ottobre 2022

Presentato

29 Giugno 2022

Lingua

Keywords: Cinematography • Ennio Flaiano • Transmediality • Narrativity • Cultural difference • Postcolonialism

permalink http://doi.org/10.30687/Tol/2499-5975/2022/01/012

Copyright: © 2022 Silvia Lilli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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