Rivista | Il Tolomeo
Fascicolo | 20 | 2018

20 | 2018

open access | peer reviewed
Abstract

Keywords Aesthetic-real • Caribbean • Diaspora • Kannjawou • Figure of the prostitute • Embodied reading • Translation as hermeneutic process • Art • Hamilton • Caribbean music • Identity • Caribbean literature • Haitian literature • Linguistic musicality • Rhetoric figure • Trace • Lyonel Trouillot • Mixed languages • Fantastic • Linguistic characterisation • History • Caribbean songs • Interculturalism • Style • Depestre • Translation as negotiation • Science of Rhythm • Imperialism • Poetry • Music • Stanley Péan • Haïtianité • Francophone literature • Carnival • Masque • Algeria • Historical-real • Bakhtin • Ethnography • Joyce • Stylistics • Venice Architecture • Patrick McCabe • Marasa and zombie • Elgar • Subversion • Power and subjectivity • Biennale 2018 • Styleme • Said • Music and semiotics • Intertextuality

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Pubblicato 21 Dicembre 2018 | Lingua fr, it, en

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