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Fact and Taste

Thematic and Metaliterary Impurity in Hard Times

Saverio Tomaiuolo    Università degli Studi di Cassino e del Lazio Meridionale, Italia    



Hard Times is an example of Dickens’s desire to create a narrative hybrid, composed – as it is – of different literary genres. Thomas Gradgrind and Mr. Sleary’s use of language as an expression of their frame of mind (in Mikhail Bakhtin’s terminology, their “ideologeme”) embodies their adherence to textual and ideological norms (the “facts”) or their infraction (“People mutht be amuthed”). Nevertheless, the “carnevalesque” nature of the circus, which epitomises the transgression of social and cultural norms, is not to be intended as a negation of those social and family principles that Dickens’s novel advocates against disruptive utilitarian politics. In his view, it is through their (apparent) negation that traditional Victorian values may be affirmed and consolidated thanks to a mutual form of cultural “infection”. At the same time, Hard Times dramatizes, in a metaliterary twist, Dickens’s defence of the role of the writer, and of the artist, as a “social educator” in the figure of Sleary, who positively contaminates Thomas Gradgrind’s “pure” factual approach.

01 Dicembre 2015

Keywords: CircusCharles DickensDialogismHard Times

Copyright: © 2015 Saverio Tomaiuolo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.