Le rose, la chimera e il viaggio: il dannunzianesimo rivissuto…

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Campo DC	Valore
dc.identifier	ECF_article_8340
dc.title	Le rose, la chimera e il viaggio: il dannunzianesimo rivissuto di Dino Campana
dc.contributor.author	Imbriani Maria Teresa
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2022/1/le-rose-la-chimera-e-il-viaggio-il-dannunzianesimo/
dc.description.abstract	The essay aims to reconstruct, through the readings of the young Campana and the intertextuality between his and d’Annunzio’s work, the unbroken relationship between the two authors. We focus in particular on some thematic units, the roses, the chimera and the journey, with the awareness that ‘despised’ d’Annunzio has a large part in the construction of the Campana’s poetry collection, that even exhibits a first title of direct descent from d’Annunzio. Moreover, the d’Annunzio’s brand rules as well as in the Campana’s work also in his life, in that program of an inimitable live inverted, which takes its superomism, lived from below, to the second twentieth century beat generation.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 9 \| Ottobre 2022
dc.issued	2022-10-28
dc.dateAccepted	2022-05-26
dc.dateSubmitted	2022-03-01
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AdA/2421-292X/2022/01/009
dc.peer-review	yes
dc.subject	Chimera
dc.subject	Decadent roses and gardins
dc.subject	Dino Campana
dc.subject	Gabriele d’Annunzio
dc.subject	Orphic Songs

Articolo
open access peer reviewed

Le rose, la chimera e il viaggio: il dannunzianesimo rivissuto di Dino Campana

Maria Teresa Imbriani Università degli Studi della Basilicata, Italia

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abstract

The essay aims to reconstruct, through the readings of the young Campana and the intertextuality between his and d’Annunzio’s work, the unbroken relationship between the two authors. We focus in particular on some thematic units, the roses, the chimera and the journey, with the awareness that ‘despised’ d’Annunzio has a large part in the construction of the Campana’s poetry collection, that even exhibits a first title of direct descent from d’Annunzio. Moreover, the d’Annunzio’s brand rules as well as in the Campana’s work also in his life, in that program of an inimitable live inverted, which takes its superomism, lived from below, to the second twentieth century beat generation.

Pubblicato

28 Ottobre 2022

Accettato

26 Maggio 2022

Presentato

01 Marzo 2022

Lingua

Keywords: Chimera • Decadent roses and gardins • Gabriele d’Annunzio • Dino Campana • Orphic Songs

permalink http://doi.org/10.30687/AdA/2421-292X/2022/01/009

Copyright: © 2022 Maria Teresa Imbriani. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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