Rivista |
Archivio d’Annunzio
Fascicolo | 5 | 2018
Articolo | Pirandello vs d’Annunzio
Abstract
This essay analyses the critical hatred shown by Pirandello against d’Annunzio. And especially in the private letters sent to his beloved actress, the hostility maintains all his aversion, although in public the relationship has been transformed into collaboration, during the staging of the Figlia di Iorio in 1934. And yet, the Pirandellian work reveals withdrawals from the d’Annunzian one.
Presentato: 13 Gennaio 2018 | Accettato: 10 Maggio 2018 | Pubblicato 20 Novembre 2018 | Lingua: it
Keywords Envy • Jalousy • Hate • Pirandello • Literary critics • D’Annunzio
Copyright © 2018 Paolo Puppa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AdA/2421-292X/2018/05/006
Capitoli introduttivi
Officina dannunziana. Contra d’Annunzio
Civiltà dannunziana
Recensioni
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Puppa, Paolo. ‘Pirandello Vs d’Annunzio’. 5 | 2018 1 (2018): n. pag. Crossref. Web.
DC Field | Value |
---|---|
dc.identifier |
ECF_article_1545 |
dc.title |
Pirandello vs d’Annunzio |
dc.contributor.author |
Puppa Paolo |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Articolo |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2018/1/pirandello-vs-dannunzio/ |
dc.description.abstract |
This essay analyses the critical hatred shown by Pirandello against d’Annunzio. And especially in the private letters sent to his beloved actress, the hostility maintains all his aversion, although in public the relationship has been transformed into collaboration, during the staging of the Figlia di Iorio in 1934. And yet, the Pirandellian work reveals withdrawals from the d’Annunzian one. |
dc.relation.ispartof |
Archivio d’Annunzio |
dc.relation.ispartof |
Vol. 5 | Ottobre 2018 |
dc.issued |
2018-11-20 |
dc.dateAccepted |
2018-05-10 |
dc.dateSubmitted |
2018-01-13 |
dc.identifier.issn |
|
dc.identifier.eissn |
2421-292X |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/AdA/2421-292X/2018/05/006 |
dc.peer-review |
yes |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
Envy |
dc.subject |
Envy |
dc.subject |
Hate |
dc.subject |
Hate |
dc.subject |
Jalousy |
dc.subject |
Jalousy |
dc.subject |
Literary critics |
dc.subject |
Literary critics |
dc.subject |
Pirandello |
dc.subject |
Pirandello |
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