Rivista | Archivio d’Annunzio
Fascicolo | 2 | 2015
Articolo | Ombra, figura, allegoria nel Fuoco
Abstract
The narrative function of Foscarina’s character is analyzed starting from the metaphorical field of ‘shadow’: the shadow, infact, connects this character from one side to the autumnal nature of Venice, from the other to the facies nigra of Dürer’s Melancholy. The intent is to highlight Foscarina’s active role inside the novel, and therefore her difference from the other female characters of d’Annunzio. The analysis also aims to show that the two parts of the novel are closely connected through an allegorical and figural relationship, which represents the specific metatextual nature of this novel.
Presentato: 04 Settembre 2015 | Accettato: 23 Maggio 2016 | Pubblicato 31 Ottobre 2015 | Lingua: it
Keywords Il Fuoco • Allegory • Venice • Figural Relationship
Copyright © 2015 Michela Rusi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2421-292X/AdA-2-15-10
Officina dannunziana. Venezia per d’Annunzio. Percorsi tra le arti, la storia, la scrittura
Recensioni
DC Field | Value |
---|---|
dc.identifier |
ECF_article_201 |
dc.title |
Ombra, figura, allegoria nel Fuoco |
dc.contributor.author |
Rusi Michela |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Articolo |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2015/1/ombra-figura-allegoria-nel-fuoco/ |
dc.description.abstract |
The narrative function of Foscarina’s character is analyzed starting from the metaphorical field of ‘shadow’: the shadow, infact, connects this character from one side to the autumnal nature of Venice, from the other to the facies nigra of Dürer’s Melancholy. The intent is to highlight Foscarina’s active role inside the novel, and therefore her difference from the other female characters of d’Annunzio. The analysis also aims to show that the two parts of the novel are closely connected through an allegorical and figural relationship, which represents the specific metatextual nature of this novel. |
dc.relation.ispartof |
Archivio d’Annunzio |
dc.relation.ispartof |
Vol. 2 | Ottobre 2015 |
dc.issued |
2015-10-31 |
dc.dateAccepted |
2016-05-23 |
dc.dateSubmitted |
2015-09-04 |
dc.identifier.issn |
|
dc.identifier.eissn |
2421-292X |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2421-292X/AdA-2-15-10 |
dc.peer-review |
yes |
dc.subject |
Allegory |
dc.subject |
Allegory |
dc.subject |
Figural Relationship |
dc.subject |
Figural Relationship |
dc.subject |
Il Fuoco |
dc.subject |
Il Fuoco |
dc.subject |
Venice |
dc.subject |
Venice |
Download data |
Edizioni Ca’ Foscari
Dorsoduro 3246
30123 Venezia
ecf@unive.it
T +39 041 234 8250
Evologi srl
P.IVA 04616450260
Se trovi interessanti le nostre pubblicazioni e vuoi ricevere aggiornamenti sulle prossime uscite, iscriviti ora alla nostra newsletter.
x