Journal | Archivio d’Annunzio
Journal issue | 2 | 2015
Research Article | Ombra, figura, allegoria nel Fuoco
Ombra, figura, allegoria nel Fuoco
- Michela Rusi - Università Ca’ Foscari Venezia, Italia - email orcid profile
Abstract
The narrative function of Foscarina’s character is analyzed starting from the metaphorical field of ‘shadow’: the shadow, infact, connects this character from one side to the autumnal nature of Venice, from the other to the facies nigra of Dürer’s Melancholy. The intent is to highlight Foscarina’s active role inside the novel, and therefore her difference from the other female characters of d’Annunzio. The analysis also aims to show that the two parts of the novel are closely connected through an allegorical and figural relationship, which represents the specific metatextual nature of this novel.
Submitted: Sept. 4, 2015 | Accepted: May 23, 2016 | Published Oct. 31, 2015 | Language: it
Keywords Il Fuoco • Figural Relationship • Allegory • Venice
Copyright © 2015 Michela Rusi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2421-292X/AdA-2-15-10
Officina dannunziana
Venezia per d’Annunzio. Percorsi tra le arti, la storia, la scrittura
- Il romanzo veneziano e la tradizione musicale italiana
- Gianni Oliva
- Oct. 31, 2015
- La novella dannunziana e la sua vocazione alla scena
- Paolo Puppa
- Oct. 31, 2015
-
Al seguito di d’Annunzio
Astolfo de Maria «soldataccio pittore» - Giuseppina Dal Canton
- Oct. 31, 2015
- D’Annunzio fruitore di musica a Venezia
- Lara Sonja Uras
- Oct. 31, 2015
- D’Annunzio e Venezia negli studi di Guy Tosi
- Maddalena Rasera
- Oct. 31, 2015
- Ricordo di Emilio Mariano
- Anco Marzio Mutterle
- Oct. 31, 2015
- Per una lettura dei notturni veneziani di d’Annunzio
- Ilaria Crotti
- Oct. 31, 2015
- Venezia Città-Donna nel Fuoco
- Maria Rosa Giacon
- Oct. 31, 2015
- Il ‘fuoco giorgionesco’ da Angelo Conti a d’Annunzio
- Ricciarda Ricorda
- Oct. 31, 2015
- Ombra, figura, allegoria nel Fuoco
- Michela Rusi
- Oct. 31, 2015
-
D’Annunzio e l’Adriatico
Dal brigantino Irene all’irredentismo - Cristina Benussi
- Oct. 31, 2015
-
Verso Venezia sul Lady Clara
Riflessioni dannunziane sul viaggio - Alberto Zava
- Oct. 31, 2015
-
Il poeta e la Gazzetta
D’Annunzio nello sguardo della classe dirigente veneziana - Giovanni Sbordone
- Oct. 31, 2015
- Carte dannunziane a Venezia: il noto e l’inedito
- Roberta Favia
- Oct. 31, 2015
- Atmosfere veneziane e cenni di dialetto nelle lettere a Venturina
- Lucia Vivian
- Oct. 31, 2015
Reviews
- Fogazzaro, Antonio (2014). Piccolo mondo antico. A cura di Tiziana Piras. Venezia: Marsilio
- Francesca Suppa
- Oct. 31, 2015
- Curreri, Luciano (2008). Metamorfosi della seduzione. La donna, il corpo malato, la statua in d’Annunzio e dintorni. Pisa: ETS, pp. 319
- Giuseppe Traina
- Oct. 31, 2015
- Rasera, Maddalena (a cura di) (2013). Tosi, Guy: d'Annunzio e la cultura francese: Saggi e studi (1942-1987). Prefazione di Gianni Oliva; con testimonianze di Pietro Gibellini e François Livi. Lanciano: Rocco Carabba
- Giulia Zava
- Oct. 31, 2015
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_201 |
|
dc.title |
Ombra, figura, allegoria nel Fuoco |
|
dc.contributor.author |
Rusi Michela |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
it |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2015/1/ombra-figura-allegoria-nel-fuoco/ |
|
dc.description.abstract |
The narrative function of Foscarina’s character is analyzed starting from the metaphorical field of ‘shadow’: the shadow, infact, connects this character from one side to the autumnal nature of Venice, from the other to the facies nigra of Dürer’s Melancholy. The intent is to highlight Foscarina’s active role inside the novel, and therefore her difference from the other female characters of d’Annunzio. The analysis also aims to show that the two parts of the novel are closely connected through an allegorical and figural relationship, which represents the specific metatextual nature of this novel. |
|
dc.relation.ispartof |
Archivio d’Annunzio |
|
dc.relation.ispartof |
Vol. 2 | October 2015 |
|
dc.issued |
2015-10-31 |
|
dc.dateAccepted |
2016-05-23 |
|
dc.dateSubmitted |
2015-09-04 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2421-292X |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2421-292X/AdA-2-15-10 |
|
dc.peer-review |
yes |
|
dc.subject |
Allegory |
|
dc.subject |
Allegory |
|
dc.subject |
Figural Relationship |
|
dc.subject |
Figural Relationship |
|
dc.subject |
Il Fuoco |
|
dc.subject |
Il Fuoco |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
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