L’introduzione del Naturalismo in Cina, il ruolo di Mao Dun…

« articolo precedente | articolo successivo »

Campo DC	Valore
dc.identifier	ECF_article_5508
dc.title	L’introduzione del Naturalismo in Cina, il ruolo di Mao Dun e il dibattito sulla stampa
dc.contributor.author	Lombardi Rosa
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/annali-di-ca-foscari-serie-orientale/2021/1/lintroduzione-del-naturalismo-in-cina-il-ruolo-di/
dc.description.abstract	This article presents the introduction of Naturalism in China and its first mentions since the end of the nineteenth century. It examines the main terms of the debate on Naturalism (1920-21), after Mao Dun proposed his translation project of Naturalist and Realist works (1920), and the reflections and notes by some writers-translators on this issue. It is argued that Mao Dun’s translation proposal constitutes the first model of planned literary translation to carry out specific political-cultural projects. It is also argued that Naturalism underwent a process of localisation in China to serve as a tool for making the transition toward a modern Chinese literature.
dc.relation.ispartof	Annali di Ca’ Foscari. Serie orientale
dc.relation.ispartof	Vol. 57 \| Giugno 2021
dc.issued	2021-06-30
dc.dateAccepted	2021-01-27
dc.dateSubmitted	2020-02-21
dc.identifier.issn
dc.identifier.eissn	2385-3042
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AnnOr/2385-3042/2021/01/015
dc.peer-review	yes
dc.subject	Literary theory
dc.subject	Literary theory
dc.subject	Literary translation
dc.subject	Literary translation
dc.subject	Localisation
dc.subject	Localisation
dc.subject	Mao Dun
dc.subject	Mao Dun
dc.subject	Naturalism
dc.subject	Naturalism
dc.subject	Realism
dc.subject	Realism
dc.subject	Translation policy
dc.subject	Translation policy
dc.subject	Zola
dc.subject	Zola

Articolo
open access peer reviewed

L’introduzione del Naturalismo in Cina, il ruolo di Mao Dun e il dibattito sulla stampa

Rosa Lombardi Università degli Studi Roma Tre, Italia

VIEW PDF DOWNLOAD PDF

abstract

This article presents the introduction of Naturalism in China and its first mentions since the end of the nineteenth century. It examines the main terms of the debate on Naturalism (1920-21), after Mao Dun proposed his translation project of Naturalist and Realist works (1920), and the reflections and notes by some writers-translators on this issue. It is argued that Mao Dun’s translation proposal constitutes the first model of planned literary translation to carry out specific political-cultural projects. It is also argued that Naturalism underwent a process of localisation in China to serve as a tool for making the transition toward a modern Chinese literature.

Pubblicato

30 Giugno 2021

Accettato

27 Gennaio 2021

Presentato

21 Febbraio 2020

Lingua

Keywords: Translation policy • Mao Dun • Literary theory • Zola • Naturalism • Localisation • Realism • Literary translation

permalink http://doi.org/10.30687/AnnOr/2385-3042/2021/01/015

Copyright: © 2021 Rosa Lombardi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Citazioni verso questo capitolo

How to cite