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Art in the Capitalocene from Awareness to Action
The Work of Marzia Migliora and Luigi Coppola
- Virginia Vannucchi - Università degli Studi di Firenze, Italia - email
Abstract
Over the past two decades, ‘eco-art’ increasingly focused on issues related to climate collapse and the so-called Anthropocene, often embracing apocalyptic and destructive narratives. Through two case studies of Italian artists Marzia Migliora and Luigi Coppola, this contribution aims to highlight how some of these practices can range from raising awareness to inspiring action, using tools such as the archeology of social imaginary, utopia, and practices of commoning, effectively promoting sustainability and societal change. The article underscores the ability of eco-art to generate new imaginaries that transcend visual representation, acting as catalysts for cultural and environmental change.
Presentato: 01 Ottobre 2024 | Pubblicato 11 Dicembre 2024 | Lingua: en
Keywords Marzia Migliora • Eco-art • Luigi Coppola • Capitalocene • Social imaginaries
Copyright © 2024 Virginia Vannucchi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-878-1/010
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DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_21638 |
dc.contributor.author |
Vannucchi Virginia |
dc.title |
Art in the Capitalocene from Awareness to Action. The Work of Marzia Migliora and Luigi Coppola |
dc.type |
Capitolo |
dc.language.iso |
en |
dc.description.abstract |
Over the past two decades, ‘eco-art’ increasingly focused on issues related to climate collapse and the so-called Anthropocene, often embracing apocalyptic and destructive narratives. Through two case studies of Italian artists Marzia Migliora and Luigi Coppola, this contribution aims to highlight how some of these practices can range from raising awareness to inspiring action, using tools such as the archeology of social imaginary, utopia, and practices of commoning, effectively promoting sustainability and societal change. The article underscores the ability of eco-art to generate new imaginaries that transcend visual representation, acting as catalysts for cultural and environmental change. |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2024-12-11 |
dc.dateSubmitted |
2024-10-01 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-878-1/art-in-the-capitalocene-from-awareness-to-action/ |
dc.identifier.doi |
10.30687/978-88-6969-878-1/010 |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
|
dc.identifier.eisbn |
978-88-6969-878-1 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Capitalocene |
dc.subject |
Eco-art |
dc.subject |
Luigi Coppola |
dc.subject |
Marzia Migliora |
dc.subject |
Social imaginaries |
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