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Kyŏmjae Chŏng Sŏn Screen from the Kunstkamera Collection: Question of Attribution

Elena Khokhlova    National Research University Higher School of Economics, Russia    

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abstract

In the Peter the Great Museum of Anthropology and Ethnography of the Russian Academy of Sciences (Kunstkamera, Saint Petersburg), there is an eight-panel screen attributed to Kyŏmjae Chŏng Sŏn (1676‑1759), one of the most important artists in the history of Korean art. Chŏng Sŏn was a pioneer of so-called ‘true-scenery’ landscapes. Only a few works of the artist are in museum collections outside the Korean peninsula, one of which is the screen in question. Each landscape is signed and bears a seal with the name and pen name of the artist, based on which, presumably, the work was attributed to the artist’s brush. However, the attribution of the work raises questions. Based on a comparative analysis of the screen with other correctly attributed work of the artist, this article suggests that the screen is a forgery and is incorrectly attributed to Chŏng Sŏn. Furthermore, not all eight panels of the screen depict the Kŭmgang mountains, as is indicated in the description of the screen presented in the museum.

Pubblicato
30 Agosto 2023
Accettato
16 Gennaio 2023
Presentato
05 Settembre 2022
Lingua
EN
ISBN (PRINT)
978-88-6969-718-0
ISBN (EBOOK)
978-88-6969-717-3

Keywords: Kyŏmjae Chŏng SŏnAttributionKorean paintingTrue-scenery landscapes paintings (chin’gyŏng sansScreenKunstkamera

Copyright: © 2023 Elena Khokhlova. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.