Collana |
Quaderni di Venezia Arti
Volume 2 | Monografia | Testo e immagine. Un dialogo dall’antichità al contemporaneo
Testo e immagine. Un dialogo dall’antichità al contemporaneo
Текст и образ. От античности к современности
open access-
a cura di
- Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
- Beatrice Spampinato - Università Ca’ Foscari Venezia, Italia - email
- Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email
Abstract
Il volume raccoglie i contributi del Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 giugno 2019). | Сборник включает материалы Международной конференции аспирантов Департамента Философии и Культурного Наследия Университета Ка’ Фоскари в Венеции и Государственного Института Искусствознания в Москве Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 июня 2019).
Keywords Vito Acconci • Art • Museum Labels • Daniel in lion’s den • History of Art Provenance • Reception • The Samanids • Iliazd • Text and image • Formalism • Quotation • art • Olia Lialina • Collectors’ Labels • Image • Biennale di Venezia • Russian Art Critique of the XIX Century • Iranian architecture • Net • Chiara Fumai • Quattrocento • Botticelli • Web Cinema • Monotheism • Author’s frame • Livre d’artiste • Iconoclasm • Jurgis Baltrušaitis • Medium • Futurist Poetry • Graphic Symbols • Russian Futurism • Polytheism • Wax Seals • Rosalind Krauss • Interpretation • Seljuk architecture • Primitives • Zaum • Owner’s marks • Video Art • Identity of Iranians • Interaction between a picture and a frame • New Media Art • Gilgamesh • Narrative Identity • Frame • Ludic technologies • Zdanevich • Rationalisation
Permalink http://doi.org/10.30687/978-88-6969-362-5 | e-ISBN 978-88-6969-362-5 | ISBN (PRINT) 978-88-6969-363-2 | Pubblicato 28 Novembre 2019 | Lingua it, ru
Copyright © 2019 Maria Redaelli, Beatrice Spampinato, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Note introduttive | Вступительное слово
- Note introduttive
- 28 Novembre 2019
Parole nelle immagini, parole oltre le immagini | Визуальность и её границы
- My Boyfriend Came Back From The War: una narrazione visiva di Olia Lialina
- Maria Redaelli
- 28 Novembre 2019
- Chiara Fumai. Medium, Media, Medium
- Francesco Ragazzi
- 28 Novembre 2019
- К истории рецепции и интерпретации творчества Боттичелли в России
- Valentina Voytekunas
- 28 Novembre 2019
- La matrice espressiva nel livre d’artiste di Iliazd
- Alexandra Timonina
- 28 Novembre 2019
La parola come strumento | Слово как приём
-
Вопросы художественного провенанса
заметки о некоторых знаках и графических символах, оставленных художниками, владельцами и музейными работниками на различных произведениях искусства - Alexandra Luzan
- 28 Novembre 2019
- «Картина и рама». На основе материалов выставки Государственной Третьяковской Галереи
- Svetlana Soloveva
- 28 Novembre 2019
-
L’immagine religiosa dall’epifania al feticcio
Divieto delle immagini e razionalizzazione nel monoteismo - Ermanno Antonioli
- 28 Novembre 2019
Leggere l’architettura medievale | Прочтения средневековой архитектуры
- Baltrušaitis e la leggenda della forma di Gilgamesh
- Beatrice Spampinato
- 28 Novembre 2019
- Идентичность иранцев в архитектуре X-XII вв
- Anna Kholomeeva
- 28 Novembre 2019
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_book_394 |
|
dc.creator |
Redaelli Maria |
|
dc.creator |
Spampinato Beatrice |
|
dc.creator |
Timonina Alexandra |
|
dc.title |
Testo e immagine. Un dialogo dall’antichità al contemporaneo. Текст и образ. От античности к современности |
|
dc.type |
Monografia |
|
dc.language.iso |
it, ru |
|
dc.description.abstract |
Il volume raccoglie i contributi del Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 giugno 2019). | Сборник включает материалы Международной конференции аспирантов Департамента Философии и Культурного Наследия Университета Ка’ Фоскари в Венеции и Государственного Института Искусствознания в Москве Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 июня 2019). |
|
dc.relation.ispartof |
Quaderni di Venezia Arti |
|
dc.identifier.doi |
10.30687/978-88-6969-362-5 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.issued |
2019-11-28 |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-363-2/ |
|
dc.identifier.eissn |
2784-8868 |
|
dc.identifier.isbn |
978-88-6969-363-2 |
|
dc.identifier.eisbn |
978-88-6969-362-5 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Art |
|
dc.subject |
Author’s frame |
|
dc.subject |
Author’s frame |
|
dc.subject |
Author’s frame |
|
dc.subject |
Biennale di Venezia |
|
dc.subject |
Biennale di Venezia |
|
dc.subject |
Biennale di Venezia |
|
dc.subject |
Botticelli |
|
dc.subject |
Botticelli |
|
dc.subject |
Botticelli |
|
dc.subject |
Chiara Fumai |
|
dc.subject |
Chiara Fumai |
|
dc.subject |
Chiara Fumai |
|
dc.subject |
Collectors’ Labels |
|
dc.subject |
Collectors’ Labels |
|
dc.subject |
Collectors’ Labels |
|
dc.subject |
Daniel in lion’s den |
|
dc.subject |
Daniel in lion’s den |
|
dc.subject |
Formalism |
|
dc.subject |
Formalism |
|
dc.subject |
Formalism |
|
dc.subject |
Frame |
|
dc.subject |
Frame |
|
dc.subject |
Frame |
|
dc.subject |
Futurist Poetry |
|
dc.subject |
Futurist Poetry |
|
dc.subject |
Futurist Poetry |
|
dc.subject |
Gilgamesh |
|
dc.subject |
Gilgamesh |
|
dc.subject |
Graphic Symbols |
|
dc.subject |
Graphic Symbols |
|
dc.subject |
Graphic Symbols |
|
dc.subject |
History of Art Provenance |
|
dc.subject |
History of Art Provenance |
|
dc.subject |
History of Art Provenance |
|
dc.subject |
Iconoclasm |
|
dc.subject |
Iconoclasm |
|
dc.subject |
Iconoclasm |
|
dc.subject |
Identity of Iranians |
|
dc.subject |
Identity of Iranians |
|
dc.subject |
Iliazd |
|
dc.subject |
Iliazd |
|
dc.subject |
Iliazd |
|
dc.subject |
Image |
|
dc.subject |
Image |
|
dc.subject |
Image |
|
dc.subject |
Interaction between a picture and a frame |
|
dc.subject |
Interaction between a picture and a frame |
|
dc.subject |
Interaction between a picture and a frame |
|
dc.subject |
Interpretation |
|
dc.subject |
Interpretation |
|
dc.subject |
Interpretation |
|
dc.subject |
Iranian architecture |
|
dc.subject |
Iranian architecture |
|
dc.subject |
Iranian architecture |
|
dc.subject |
Jurgis Baltrušaitis |
|
dc.subject |
Jurgis Baltrušaitis |
|
dc.subject |
Jurgis Baltrušaitis |
|
dc.subject |
Livre d’artiste |
|
dc.subject |
Livre d’artiste |
|
dc.subject |
Livre d’artiste |
|
dc.subject |
Ludic technologies |
|
dc.subject |
Ludic technologies |
|
dc.subject |
Ludic technologies |
|
dc.subject |
Medium |
|
dc.subject |
Medium |
|
dc.subject |
Medium |
|
dc.subject |
Monotheism |
|
dc.subject |
Monotheism |
|
dc.subject |
Monotheism |
|
dc.subject |
Museum Labels |
|
dc.subject |
Museum Labels |
|
dc.subject |
Museum Labels |
|
dc.subject |
Narrative Identity |
|
dc.subject |
Narrative Identity |
|
dc.subject |
Net |
|
dc.subject |
Net |
|
dc.subject |
Net |
|
dc.subject |
New Media Art |
|
dc.subject |
New Media Art |
|
dc.subject |
New Media Art |
|
dc.subject |
Olia Lialina |
|
dc.subject |
Olia Lialina |
|
dc.subject |
Olia Lialina |
|
dc.subject |
Owner’s marks |
|
dc.subject |
Owner’s marks |
|
dc.subject |
Owner’s marks |
|
dc.subject |
Polytheism |
|
dc.subject |
Polytheism |
|
dc.subject |
Polytheism |
|
dc.subject |
Primitives |
|
dc.subject |
Primitives |
|
dc.subject |
Primitives |
|
dc.subject |
Quattrocento |
|
dc.subject |
Quattrocento |
|
dc.subject |
Quattrocento |
|
dc.subject |
Quotation |
|
dc.subject |
Quotation |
|
dc.subject |
Quotation |
|
dc.subject |
Rationalisation |
|
dc.subject |
Rationalisation |
|
dc.subject |
Rationalisation |
|
dc.subject |
Reception |
|
dc.subject |
Reception |
|
dc.subject |
Reception |
|
dc.subject |
Rosalind Krauss |
|
dc.subject |
Rosalind Krauss |
|
dc.subject |
Rosalind Krauss |
|
dc.subject |
Russian Art Critique of the XIX Century |
|
dc.subject |
Russian Art Critique of the XIX Century |
|
dc.subject |
Russian Art Critique of the XIX Century |
|
dc.subject |
Russian Futurism |
|
dc.subject |
Russian Futurism |
|
dc.subject |
Russian Futurism |
|
dc.subject |
Seljuk architecture |
|
dc.subject |
Seljuk architecture |
|
dc.subject |
Text and image |
|
dc.subject |
Text and image |
|
dc.subject |
Text and image |
|
dc.subject |
Text and image |
|
dc.subject |
Text and image |
|
dc.subject |
The Samanids |
|
dc.subject |
The Samanids |
|
dc.subject |
Video Art |
|
dc.subject |
Video Art |
|
dc.subject |
Video Art |
|
dc.subject |
Vito Acconci |
|
dc.subject |
Vito Acconci |
|
dc.subject |
Vito Acconci |
|
dc.subject |
Wax Seals |
|
dc.subject |
Wax Seals |
|
dc.subject |
Wax Seals |
|
dc.subject |
Web Cinema |
|
dc.subject |
Web Cinema |
|
dc.subject |
Web Cinema |
|
dc.subject |
Zaum |
|
dc.subject |
Zaum |
|
dc.subject |
Zaum |
|
dc.subject |
Zdanevich |
|
dc.subject |
Zdanevich |
|
dc.subject |
Zdanevich |
|
dc.subject |
art |
|
dc.subject |
art |
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