Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Historical-real • Elgar • Translation as negotiation • Identity • Interculturalism • Caribbean songs • Linguistic musicality • Caribbean music • Art • Power and subjectivity • Intertextuality • Kannjawou • Diaspora • Caribbean literature • Algeria • Figure of the prostitute • Stylistics • Translation as hermeneutic process • Bakhtin • Poetry • Imperialism • Lyonel Trouillot • Music and semiotics • Rhetoric figure • Depestre • Said • Linguistic characterisation • Hamilton • Mixed languages • Venice Architecture • Biennale 2018 • Fantastic • Music • Embodied reading • Stanley Péan • Style • Subversion • Caribbean • Science of Rhythm • Marasa and zombie • Trace • Joyce • Aesthetic-real • Francophone literature • Haïtianité • Haitian literature • Patrick McCabe • Carnival • Styleme • Ethnography • History • Masque

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Pubblicato 21 Dicembre 2018 | Lingua fr, it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.