Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Caribbean music • Caribbean songs • Stylistics • Mixed languages • History • Haitian literature • Styleme • Bakhtin • Aesthetic-real • Carnival • Music and semiotics • Art • Rhetoric figure • Imperialism • Linguistic characterisation • Venice Architecture • Biennale 2018 • Caribbean • Joyce • Identity • Linguistic musicality • Style • Hamilton • Marasa and zombie • Masque • Music • Subversion • Trace • Science of Rhythm • Algeria • Ethnography • Kannjawou • Lyonel Trouillot • Elgar • Intertextuality • Patrick McCabe • Diaspora • Caribbean literature • Poetry • Said • Stanley Péan • Historical-real • Francophone literature • Interculturalism • Depestre • Power and subjectivity • Haïtianité • Figure of the prostitute • Translation as hermeneutic process • Translation as negotiation • Fantastic • Embodied reading

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Pubblicato 21 Dicembre 2018 | Lingua en, fr, it

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