Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Music • Algeria • Trace • Stanley Péan • Elgar • Translation as negotiation • Caribbean • Diaspora • Biennale 2018 • Patrick McCabe • Historical-real • Said • Linguistic musicality • Kannjawou • Masque • History • Depestre • Power and subjectivity • Carnival • Art • Joyce • Linguistic characterisation • Poetry • Hamilton • Bakhtin • Stylistics • Translation as hermeneutic process • Music and semiotics • Imperialism • Interculturalism • Rhetoric figure • Fantastic • Caribbean music • Figure of the prostitute • Embodied reading • Lyonel Trouillot • Aesthetic-real • Mixed languages • Styleme • Intertextuality • Ethnography • Marasa and zombie • Venice Architecture • Style • Identity • Science of Rhythm • Francophone literature • Subversion • Caribbean literature • Haitian literature • Haïtianité • Caribbean songs

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Pubblicato 21 Dicembre 2018 | Lingua it, fr, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.