Il Tolomeo Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

Rivista | Il Tolomeo
Fascicolo | 20 | 2018

20 | 2018

open access | peer reviewed
Abstract

Keywords Translation as hermeneutic process • Fantastic • Science of Rhythm • Haitian literature • Biennale 2018 • Figure of the prostitute • Haïtianité • Caribbean • Diaspora • Elgar • Trace • Joyce • Marasa and zombie • Stylistics • Algeria • Lyonel Trouillot • Caribbean literature • Interculturalism • Identity • Stanley Péan • Caribbean music • Hamilton • History • Style • Subversion • Caribbean songs • Said • Intertextuality • Linguistic musicality • Imperialism • Masque • Carnival • Aesthetic-real • Patrick McCabe • Depestre • Power and subjectivity • Rhetoric figure • Francophone literature • Historical-real • Music • Kannjawou • Ethnography • Venice Architecture • Mixed languages • Bakhtin • Art • Music and semiotics • Poetry • Linguistic characterisation • Styleme • Embodied reading • Translation as negotiation

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Pubblicato 21 Dicembre 2018 | Lingua en, it, fr

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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