Genealogie e geografie dell’anti-democrazia nella crisi europea degli anni Trenta

Genealogie e geografie dell’anti-democrazia nella crisi europea degli anni Trenta

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Lingua
en

ISBN (print)
978-88-6969-318-2

ISBN (ebook)
978-88-6969-317-5

ISSN
chevron_right2610-9883

e-ISSN
chevron_right2610-9107

Data pubblicazione
31 Mag 2019

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Metadati

Studi di storia

Fascist Italy’s Illiberal Cultural Networks
Culture, Corporatism and International Relations

Benjamin G. Martin
benjamin.martin@idehist.uu.se

DOI 10.30687/978-88-6969-317-5/007

Abstract

Italian fascists presented corporatism, a system of sector-wide unions bringing together workers and employers under firm state control, as a new way to resolve tensions between labour and capital, and to reincorporate the working classes in national life. ‘Cultural corporatism’ – the fascist labour model applied to the realm of the arts – was likewise presented as a historic resolution of the problem of the artist’s role in modern society. Focusing on two art conferences in Venice in 1932 and 1934, this article explores how Italian leaders promoted cultural corporatism internationally, creating illiberal international networks designed to help promote fascist ideology and Italian soft power.

Keywords
Fascism. Corporatism. State control. Labour. Capital.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Sommario
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Campo DC Valore

dc.contributor.author

Martin Benjamin G.

dc.title

Fascist Italy’s Illiberal Cultural Networks

dc.type

Book Chapter

dc.language.iso

en

dc.description.abstract

Italian fascists presented corporatism, a system of sector-wide unions bringing together workers and employers under firm state control, as a new way to resolve tensions between labour and capital, and to reincorporate the working classes in national life. ‘Cultural corporatism’ – the fascist labour model applied to the realm of the arts – was likewise presented as a historic resolution of the problem of the artist’s role in modern society. Focusing on two art conferences in Venice in 1932 and 1934, this article explores how Italian leaders promoted cultural corporatism internationally, creating illiberal international networks designed to help promote fascist ideology and Italian soft power.

dc.relation.ispartof

Studi di storia

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-05-31

dc.dateAccepted

None

dc.dateSubmitted

None

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-317-5/007

dc.identifier.issn

2610-9883

dc.identifier.eissn

2610-9107

dc.identifier.isbn

978-88-6969-318-2

dc.identifier.eisbn

978-88-6969-317-5

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Fascism

dc.subject

Corporatism

dc.subject

State control

dc.subject

Labour

dc.subject

Capital

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