Fascist Italy’s Illiberal Cultural Networks

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Campo DC	Valore
dc.identifier	ECF_chapter_2912
dc.contributor.author	Martin Benjamin G.
dc.title	Fascist Italy’s Illiberal Cultural Networks. Culture, Corporatism and International Relations
dc.type	Capitolo
dc.language.iso	en
dc.description.abstract	Italian fascists presented corporatism, a system of sector-wide unions bringing together workers and employers under firm state control, as a new way to resolve tensions between labour and capital, and to reincorporate the working classes in national life. ‘Cultural corporatism’ – the fascist labour model applied to the realm of the arts – was likewise presented as a historic resolution of the problem of the artist’s role in modern society. Focusing on two art conferences in Venice in 1932 and 1934, this article explores how Italian leaders promoted cultural corporatism internationally, creating illiberal international networks designed to help promote fascist ideology and Italian soft power.
dc.relation.ispartof	Studi di storia
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-05-31
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-318-2/fascist-italys-illiberal-cultural-networks/
dc.identifier.doi	10.30687/978-88-6969-317-5/007
dc.identifier.issn	2610-9883
dc.identifier.eissn	2610-9107
dc.identifier.isbn	978-88-6969-318-2
dc.identifier.eisbn	978-88-6969-317-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Capital
dc.subject	Capital
dc.subject	Corporatism
dc.subject	Corporatism
dc.subject	Fascism
dc.subject	Fascism
dc.subject	Labour
dc.subject	Labour
dc.subject	State control
dc.subject	State control

Capitolo
open access

Fascist Italy’s Illiberal Cultural Networks

Culture, Corporatism and International Relations

Benjamin G. Martin

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abstract

Italian fascists presented corporatism, a system of sector-wide unions bringing together workers and employers under firm state control, as a new way to resolve tensions between labour and capital, and to reincorporate the working classes in national life. ‘Cultural corporatism’ – the fascist labour model applied to the realm of the arts – was likewise presented as a historic resolution of the problem of the artist’s role in modern society. Focusing on two art conferences in Venice in 1932 and 1934, this article explores how Italian leaders promoted cultural corporatism internationally, creating illiberal international networks designed to help promote fascist ideology and Italian soft power.

Pubblicato

31 Maggio 2019

Lingua

ISBN (PRINT)

978-88-6969-318-2

ISBN (EBOOK)

978-88-6969-317-5

Keywords: Labour • Fascism • Corporatism • Capital • State control

permalink: http://doi.org/10.30687/978-88-6969-317-5/007

Copyright: © 2019 Benjamin G. Martin. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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