Cross-Pollination: Art, Contamination and Hybridisation from the Middle Ages to the Present
open access | peer reviewedKeywords Cultural hybridization • Asger Jorn • Angevin • Pilgrimage • Cupole • Canaletto • Platytera • Giovanni Fontana Fine technology • Italy • Marian iconography • Amateurs • Editoria veneziana • Giovanni Pastrone • Naples • Iconography • Medieval painting • American abstract expressionism • Seventies • Chinese ink painting • Feminism • Cabiria • Giambattista Pasquali • Mark Tobey • Situlogy • Clipeo • Gender role • Correggio • Antonio Visentini • Aphrodite hoplismene • Teoria della stampa • Carlo Fontana • Artists’ Periodicals • Jacqueline de Jong • Ludovico Antonio David • Teng Baiye • Incisione • Medieval art • Atlas • Hydraulic devices • Padula • Phiale • Noblemen • Masters of drawing • Collettivo Donne Fotoreporter • Education • Automatic fountains • Gerolamo Imperiale • Photography • Hysteria • Art Publishing
Permalink http://doi.org/10.30687/VA/2385-2720/2024/01 | Published Dec. 9, 2024 | Language it, en
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- Editoriale
- Dec. 18, 2024
Medioevo
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Dall’imago clipeata alla Theotokos Platytera
Fenomeni di contaminazione e sublimazione nell'iconografia mariana dei primi secoli - Dec. 9, 2024
Età Moderna
- Fine Technology Dialogue Across the Eastern Mediterranean in Giovanni Fontana's Bellicorum Instrumentorum Liber
- Dec. 9, 2024
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La libertà del dilettante
Contaminazioni e invenzioni eccentriche nella grafica di Gerolamo Imperiale - Dec. 9, 2024
- La linea d’acqua: sulla stamperia Pasquali come laboratorio d’incisione di Canaletto e Visentini
- Dec. 9, 2024
Contemporaneo
- Learning from “The East”: Mark Tobey’s “White Writing” and the Shaping of American Abstract Expressionism
- Dec. 10, 2024
- Charting Knowledge: The Situationist Times at the Crossroads of Situationism, Publishing, and Topology
- Dec. 10, 2024
Alia Itinera
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Le cupole più antiche d’Italia s’osservano piane
Ludovico Antonio David e la polemica contro l’impiego delle lanterne nelle cupole da affrescare - Dec. 10, 2024