Journal | Rassegna iberistica
Journal issue | 42 | 111 | 2019
Research Article | «No sin ser deformada puede la realidad exhibir sus enigmas»: Poetics and Writing in the Lyrical Work of J.M. Caballero Bonald
«No sin ser deformada puede la realidad exhibir sus enigmas»: Poetics and Writing in the Lyrical Work of J.M. Caballero Bonald
- Maria Josefa Flores - Università degli Studi dell’Aquila, Italia - email
Abstract
Through the analysis of a few theoretical and literary texts by J.M. Caballero Bonald, this article highlights the centrality of artistic ‘deformation’ in the author’s poetical conception and, at the same time, his rejection of any kind of mimetic art. This ‘deformation’ – which, upon re-working reality, allows the artist to reveal reality’s hidden face – in Caballero Bonald’s view is the true purpose of literature. Closely linked to it are painting (especially Picasso’s Cubism), the surrealist imagination and baroque aesthetics, all fundamental to his literary opus, which is analysed in this essay without losing sight of concepts such as Labyrinth, Otherness, and Hermeticism, also of great importance in casting light upon Caballero Bonald’s works.
Submitted: Jan. 20, 2017 | Accepted: Dec. 14, 2017 | Published June 21, 2019 | Language: es
Keywords Artistic deformation • Surrealism • Poesía • Baroque • Literature • Caballero Bonald • Poetry • Barroco • | Deformación artística • Surrealismo
Copyright © 2019 Maria Josefa Flores. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Ri/2037-6588/2019/111/004
Articles
-
From Duel to Dispute
The Argument between Pacífico and Cupidio within Valerián de Hungría (1540) - Giulia Tomasi
- June 21, 2019
-
Missing Information in the Fictional Worlds of Benito Pérez Galdós
A Modern and Vital Experiment - Donatella Siviero
- June 21, 2019
- Negrista Influences in the Cuban Drawings of Galician Castelao and Manchego García Maroto
- Irina Bajini
- June 21, 2019
- «No sin ser deformada puede la realidad exhibir sus enigmas»: Poetics and Writing in the Lyrical Work of J.M. Caballero Bonald
- Maria Josefa Flores
- June 21, 2019
- The “Hispanic American Things”. Italo Calvino as an Editorial Reader of Latin American Writers
- Sara Carini
- June 21, 2019
- Paradoxes and the Scandals of Logic: a Borgesian Look Over Juan Rodolfo Wilcock Critical and Journalistic Articles
- Florencia Ferrante
- June 21, 2019
- En el fulgor del caldén. Las figuras del desierto en El país del diablo de Perla Suez
- Maria Amalia Barchiesi
- June 21, 2019
-
«Vagones llenos de silencio». Poemas & híbridos and the Poetry of Bernardo Atxaga
Cultural Hybridity, Identity and Discourse - Juan José Lanz
- June 21, 2019
Notes
- The Representation of Immigrant Women in Spain Through Cinema and Spanish Literature of the 21st Century
- Giulia Bortoli
- June 21, 2019
- A Life Novel: El dolor de los demás, by Miguel Ángel Hernández
- Javier Sánchez Zapatero
- June 21, 2019
- On Mare Espanya by Rafael-Lluís Ninyoles
- Toni Mollà
- June 21, 2019
Reviews
- Maurizio Fabbri. Nel “Giardino del Mondo”. Saggi su diari e relazioni di viaggio in Italia di spagnoli e novohispanos dal Settecento al Novecento
- Giovanni Battista De Cesare
- June 21, 2019
- Mario Martín Gijón. Un segundo destierro. La sombra de Unamuno en el exilio español
- M. Carmen Domínguez Gutiérrez
- June 21, 2019
- Mari Paz Balibrea (coord.). Líneas de fuga. Hacia otra historiografía cultural del exilio republicano español
- M. Carmen Domínguez Gutiérrez
- June 21, 2019
- Clara Janés. Fossili | Fósiles – Lapidario | Lapidario
- Alessandro Mistrorigo
- June 21, 2019
- Jesús Ponce Cárdenas, Ángel Rivas Albaladejo. El jardín del conde de Monterrey. Arte, naturaleza y panegírico
- Guilermo Carnero
- June 21, 2019
- Eric Calderwood. Colonial al-Andalus: Spain and the Making of Modern Moroccan Culture
- Enric Bou
- June 21, 2019
- Juan José Millás. Que nadie duerma
- Augusto Guarino
- June 21, 2019
- Horacio Luis González. La Argentina manuscrita. La cautiva en la conciencia nacional Cautivas, malones e intelectuales
- Susanna Regazzoni
- June 21, 2019
- Alfonso Mateo-Sagasta. Mala Hoja
- Susanna Regazzoni
- June 21, 2019
- Yolanda Castaño. Lingua dell’inchiostro - O idioma da tinta
- Andrea Nuñez Briones
- June 21, 2019
- Francesca Zantedeschi. The Antiquarians of the Nation. Monuments and Language in Nineteenth-Century Roussillon
- Riccardo Rao
- June 21, 2019
- Gabriel Sansano i Belso (ed.). Silenci, oblit i preservació de la memòria democrática. Una aportació interdisciplinària
- Fabienne Crastes
- June 21, 2019
Review Proposals
- Review Proposals
- June 21, 2019
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_783 |
|
dc.title |
«No sin ser deformada puede la realidad exhibir sus enigmas»: Poetics and Writing in the Lyrical Work of J.M. Caballero Bonald |
|
dc.contributor.author |
Flores Maria Josefa |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
es |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2019/111/no-sin-ser-deformada-puede-la-realidad-exhibir-sus/ |
|
dc.description.abstract |
Through the analysis of a few theoretical and literary texts by J.M. Caballero Bonald, this article highlights the centrality of artistic ‘deformation’ in the author’s poetical conception and, at the same time, his rejection of any kind of mimetic art. This ‘deformation’ – which, upon re-working reality, allows the artist to reveal reality’s hidden face – in Caballero Bonald’s view is the true purpose of literature. Closely linked to it are painting (especially Picasso’s Cubism), the surrealist imagination and baroque aesthetics, all fundamental to his literary opus, which is analysed in this essay without losing sight of concepts such as Labyrinth, Otherness, and Hermeticism, also of great importance in casting light upon Caballero Bonald’s works. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 42 | Issue 111 | June 2019 |
|
dc.issued |
2019-06-21 |
|
dc.dateAccepted |
2017-12-14 |
|
dc.dateSubmitted |
2017-01-20 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/Ri/2037-6588/2019/111/004 |
|
dc.peer-review |
yes |
|
dc.subject |
Artistic deformation |
|
dc.subject |
Artistic deformation |
|
dc.subject |
Baroque |
|
dc.subject |
Baroque |
|
dc.subject |
Barroco |
|
dc.subject |
Barroco |
|
dc.subject |
Caballero Bonald |
|
dc.subject |
Caballero Bonald |
|
dc.subject |
Literature |
|
dc.subject |
Literature |
|
dc.subject |
Poesía |
|
dc.subject |
Poesía |
|
dc.subject |
Poetry |
|
dc.subject |
Poetry |
|
dc.subject |
Surrealism |
|
dc.subject |
Surrealism |
|
dc.subject |
Surrealismo |
|
dc.subject |
Surrealismo |
|
dc.subject |
| Deformación artística |
|
dc.subject |
| Deformación artística |
| Download data |
-
file_download 16
-
search 187
-
format_quote 0
