Journal | Rassegna iberistica
Journal issue | 40 | 108 | 2017
Research Article | El color del camaleón
El color del camaleón
- Valentina Ripa - Università degli Studi di Salerno - email
The film El color del camaleón (2017) by Andrés Lübbert, which has great cinematic and content merits, can be considered as an important part of Chilean films on memory and post-memory. I focus on its contribution to Chilean memory and the reconstruction of the truth through the unveiling, in particular, of cruel methods of forced recruitment used by the dictatorship’s secret services. They were used as a further tool to instill terror in society, and as a way of submission and control of the population.
Submitted: Oct. 4, 2017 | Published: Dec. 13, 2017 | Language: es
Keywords Chilean dictatorship Memory Postmemory The grey zone Documentary cinema
Copyright © 2017 Valentina Ripa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-40-108-17-10
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_1289 |
|
dc.title |
El color del camaleón. A Bold Witness for the Chilean Society |
|
dc.contributor.author |
Ripa Valentina |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
es |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2017/108/el-color-del-camaleon/ |
|
dc.description.abstract |
The film El color del camaleón (2017) by Andrés Lübbert, which has great cinematic and content merits, can be considered as an important part of Chilean films on memory and post-memory. I focus on its contribution to Chilean memory and the reconstruction of the truth through the unveiling, in particular, of cruel methods of forced recruitment used by the dictatorship’s secret services. They were used as a further tool to instill terror in society, and as a way of submission and control of the population. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 40 | Issue 108 | December 2017 |
|
dc.issued |
2017-12-13 |
|
dc.dateSubmitted |
2017-10-04 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2037-6588/Ri-40-108-17-10 |
|
dc.peer-review |
no |
|
dc.subject |
Chilean dictatorship |
|
dc.subject |
Chilean dictatorship |
|
dc.subject |
Documentary cinema |
|
dc.subject |
Documentary cinema |
|
dc.subject |
Memory |
|
dc.subject |
Memory |
|
dc.subject |
Postmemory |
|
dc.subject |
Postmemory |
|
dc.subject |
The grey zone |
|
dc.subject |
The grey zone |
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