Journal | Rassegna iberistica
Journal issue | 40 | 107 | 2017
Research Article | The Ritualisation of Time in La Morte Rouge
The Ritualisation of Time in La Morte Rouge
- Iacopo Russo - Università Ca’ Foscari Venezia, Italia - email
La Morte Rouge is an attempt that derives from the subject-author and from his own experience, as every kind of essayistic exercise. If the object of research is reality, the director’s memory is the medium through which his look analyzes. Here memory is considered as a field that is able to evoke the consciousness of world and life. According to Erice, the ritualization of time and space represents the essence of the creative process of a reflexive discourse through the work on images and sounds. Hence, to ritualize means thinking through memory to search for a true comprehension of the past and consequently of the present.
Submitted: Aug. 25, 2016 | Accepted: Jan. 23, 2017 | Published: June 29, 2017 | Language: es
Keywords Memory Reality Image Time
Copyright © 2017 Iacopo Russo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-40-107-17-3
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_687 |
|
dc.title |
The Ritualisation of Time in La Morte Rouge |
|
dc.contributor.author |
Russo Iacopo |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
es |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2017/107/la-ritualizacion-del-tiempo-en-la-morte-rouge/ |
|
dc.description.abstract |
La Morte Rouge is an attempt that derives from the subject-author and from his own experience, as every kind of essayistic exercise. If the object of research is reality, the director’s memory is the medium through which his look analyzes. Here memory is considered as a field that is able to evoke the consciousness of world and life. According to Erice, the ritualization of time and space represents the essence of the creative process of a reflexive discourse through the work on images and sounds. Hence, to ritualize means thinking through memory to search for a true comprehension of the past and consequently of the present. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 40 | Issue 107 | June 2017 |
|
dc.issued |
2017-06-29 |
|
dc.dateAccepted |
2017-01-23 |
|
dc.dateSubmitted |
2016-08-25 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2037-6588/Ri-40-107-17-3 |
|
dc.peer-review |
yes |
|
dc.subject |
Image |
|
dc.subject |
Image |
|
dc.subject |
Memory |
|
dc.subject |
Memory |
|
dc.subject |
Reality |
|
dc.subject |
Reality |
|
dc.subject |
Time |
|
dc.subject |
Time |
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