MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Piazza San Giovanni • Melbourne • Pope Benedict XIV • Giuseppe Bossi • Vincenzo Martinelli • Feasts • Railway station • Living Paintings • Corrado Ricci • James Goold • Antiquarium Forense • Napoleon • Restoration • Art Criticism • Ravenna • Royal palace • Ephemeral buildings • Milan • Masters • Revolutions • Nineteenth-century colonial architecture • Giovan Battista Piranesi • Giacomo Boni • Galleria Nazionale di Parma • Massa Lombarda • San Michele in Bosco • William Wardell • Communication bridge • Museology • Solomon Caesar Malan • Urban planning • Stefano Della Bella • Project • Valadier • Pupils • Cesare Beccaria • Francesco Gandolfi • Romanticism • Scenography • Genoa • Catania • Sculpture • Accademia Clementina • Neoclassicism in Catalonia • Harding • Archaeology • Nineteenth-century Barcelona • Angelo Venturoli • Antoine-Jean Gros • Rome • Alfonso Rubbiani • Museum in Corbetta • Empire • Aphorisms on Drawing • Architecture • Landscape • Pinacoteca di Brera • Masquerades • Adolfo Venturi • Pictorial decoration • Note azzurre • Neoclassicism • Historicism • Brera • King Charles IV in Barcelona • Bologna • Opera • Ruskin • Jacques-Louis David • Giorgio Vasari • Museum Catalogues • Set design • Andrea Appiani • Pompeo Marchesi • Iconography • Portrait • Giovan Battista Bassi • Photography • Gothic Revival style • Catholic Church architecture • Australia • Drawing • Giuseppe Bacchelli • Carlo Dossi • Tableaux vivants

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, en, it

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