MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Alfonso Rubbiani • Valadier • Andrea Appiani • Sculpture • Empire • Antiquarium Forense • Giorgio Vasari • Note azzurre • Ravenna • Accademia Clementina • Landscape • Set design • Communication bridge • Angelo Venturoli • Neoclassicism in Catalonia • Architecture • Masquerades • Romanticism • Stefano Della Bella • Giovan Battista Bassi • Pope Benedict XIV • Francesco Gandolfi • Giovan Battista Piranesi • King Charles IV in Barcelona • Genoa • Opera • Ruskin • Archaeology • Melbourne • Nineteenth-century Barcelona • Pupils • Carlo Dossi • Massa Lombarda • Museum in Corbetta • Museum Catalogues • Masters • Revolutions • James Goold • Restoration • Pictorial decoration • Vincenzo Martinelli • Art Criticism • Ephemeral buildings • Iconography • Antoine-Jean Gros • Giuseppe Bossi • Harding • Jacques-Louis David • Catholic Church architecture • Project • Milan • Giacomo Boni • Museology • Solomon Caesar Malan • Drawing • Pinacoteca di Brera • Aphorisms on Drawing • Rome • Feasts • Photography • Historicism • Corrado Ricci • Catania • Living Paintings • Adolfo Venturi • Cesare Beccaria • Nineteenth-century colonial architecture • Galleria Nazionale di Parma • San Michele in Bosco • Portrait • Piazza San Giovanni • Railway station • Neoclassicism • Giuseppe Bacchelli • Gothic Revival style • Tableaux vivants • Scenography • Urban planning • Australia • William Wardell • Napoleon • Bologna • Royal palace • Pompeo Marchesi • Brera

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language en, it, es

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