MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Ephemeral buildings • Opera • Archaeology • Genoa • William Wardell • Bologna • Portrait • Valadier • Adolfo Venturi • Solomon Caesar Malan • Rome • Sculpture • Cesare Beccaria • Empire • Corrado Ricci • Neoclassicism in Catalonia • Gothic Revival style • Vincenzo Martinelli • Australia • Alfonso Rubbiani • Museum in Corbetta • Stefano Della Bella • Feasts • Communication bridge • Museology • Galleria Nazionale di Parma • Pompeo Marchesi • Aphorisms on Drawing • Nineteenth-century Barcelona • Pope Benedict XIV • Revolutions • Pictorial decoration • Drawing • Restoration • Harding • Photography • Urban planning • Living Paintings • Giacomo Boni • Accademia Clementina • Antoine-Jean Gros • Catholic Church architecture • Napoleon • Nineteenth-century colonial architecture • Royal palace • Carlo Dossi • Neoclassicism • Melbourne • Giuseppe Bossi • Jacques-Louis David • Angelo Venturoli • Note azzurre • Brera • King Charles IV in Barcelona • Landscape • Giovan Battista Bassi • Art Criticism • Tableaux vivants • Ruskin • Historicism • Scenography • Museum Catalogues • Giorgio Vasari • Antiquarium Forense • Massa Lombarda • Project • Pupils • Architecture • Andrea Appiani • Masquerades • San Michele in Bosco • Milan • Francesco Gandolfi • Iconography • Giovan Battista Piranesi • Piazza San Giovanni • Catania • James Goold • Railway station • Set design • Pinacoteca di Brera • Ravenna • Giuseppe Bacchelli • Masters • Romanticism

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language it, es, en

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