MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Pictorial decoration • Solomon Caesar Malan • Landscape • Nineteenth-century colonial architecture • Ephemeral buildings • Harding • Catholic Church architecture • Urban planning • Massa Lombarda • Ravenna • Piazza San Giovanni • Pinacoteca di Brera • Ruskin • Giuseppe Bacchelli • Corrado Ricci • Iconography • William Wardell • Gothic Revival style • Aphorisms on Drawing • Architecture • Archaeology • Historicism • King Charles IV in Barcelona • Portrait • Museology • Pupils • Genoa • Galleria Nazionale di Parma • Brera • Alfonso Rubbiani • Masters • Opera • Francesco Gandolfi • Vincenzo Martinelli • Giovan Battista Piranesi • Napoleon • Bologna • Nineteenth-century Barcelona • Valadier • Restoration • Giuseppe Bossi • Cesare Beccaria • Stefano Della Bella • Royal palace • Living Paintings • Tableaux vivants • Art Criticism • Pope Benedict XIV • Adolfo Venturi • Note azzurre • Angelo Venturoli • Milan • Pompeo Marchesi • Masquerades • Empire • Revolutions • Giacomo Boni • Antiquarium Forense • Carlo Dossi • San Michele in Bosco • Jacques-Louis David • Australia • Melbourne • Accademia Clementina • Sculpture • Antoine-Jean Gros • Neoclassicism in Catalonia • Railway station • Catania • Giovan Battista Bassi • Romanticism • Drawing • Neoclassicism • Giorgio Vasari • Communication bridge • Photography • Museum in Corbetta • Rome • Museum Catalogues • Andrea Appiani • Project • James Goold • Set design • Feasts • Scenography

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language en, it, es

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