MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Communication bridge • Nineteenth-century Barcelona • Ruskin • Antoine-Jean Gros • Antiquarium Forense • Railway station • Historicism • Neoclassicism • Ravenna • Neoclassicism in Catalonia • Milan • Sculpture • Living Paintings • Empire • Masters • Nineteenth-century colonial architecture • Napoleon • Pompeo Marchesi • Art Criticism • Australia • Bologna • Pinacoteca di Brera • Set design • King Charles IV in Barcelona • Carlo Dossi • Romanticism • Solomon Caesar Malan • Note azzurre • Architecture • Stefano Della Bella • Tableaux vivants • Angelo Venturoli • Project • Massa Lombarda • Landscape • Opera • Archaeology • Corrado Ricci • Giovan Battista Bassi • Pupils • Revolutions • Pope Benedict XIV • Genoa • Francesco Gandolfi • William Wardell • Feasts • Giuseppe Bacchelli • Galleria Nazionale di Parma • Pictorial decoration • Giuseppe Bossi • Ephemeral buildings • Jacques-Louis David • Museum Catalogues • Catania • Rome • Vincenzo Martinelli • Museology • Restoration • Museum in Corbetta • Cesare Beccaria • Scenography • James Goold • Iconography • Portrait • Brera • Piazza San Giovanni • Andrea Appiani • Urban planning • Adolfo Venturi • Masquerades • Alfonso Rubbiani • Drawing • Harding • Giovan Battista Piranesi • Giacomo Boni • Aphorisms on Drawing • Melbourne • Photography • Royal palace • Catholic Church architecture • Valadier • Accademia Clementina • San Michele in Bosco • Gothic Revival style • Giorgio Vasari

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language en, es, it

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