Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

24 | 2022

open access | peer reviewed

Keywords Rap music • Enactment • Narrativity • Ennio Flaiano • Spirituals • Francophonie • Cinematography • exile • Double consciousness • La Lézarde • Beur • The trafficking of Nigerian women • Malemort • Postcolonialism • Trauma • Missionary discourse • Transmedia narratology • Multimodal mental imagery • Sublime beauty • Quebec literature • The Souls of Black Folk • Du Bois • Embodied cognition • Youssoupha • Faïza Guène • Healing • La discrétion • Empathy • Gender • Aimé Césaire • Citizenship • Migration • Diego Garcia • Black Literature; Intersectionality; Displacement; • Borders • Chika Unigwe • Affective focalization • Edouard Glissant • Italian translations • Global society • Archipelago aesthetics • Transmediality • Memoirs • Music • spoliation • Négritude • Reception of Haitian literature • Emotions • Post-colonial • Sound studies • Definitional linguistic activity • Caribbean ethnopoetics • Patriarchy • Classics • Postcolonial identity and subjectivity • Intermediality • Intercultural communication • popular culture • Literary journals • Romantic epic • Haitian literature • Cultural difference

Permalink http://doi.org/10.30687/Tol/2499-5975/2022/01 | Published Dec. 19, 2022 | Language pt, it, fr, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.