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A Caribbean Reading of American Cultural Idealism

Kamau Brathwaite’s Poetry Meets Claudia Rankine’s Lyricism

Derrilyn E. Morrison    Middle Georgia State University, USA    



In Middle Passages, Edward Kamau Brathwaite’s poetic discourse propels the reader through the landscape of a postmodern American society where the cultural achievements, despite the historical suffering of modern African American people, are regathered and offered through the poetic lens of re-memory as an American artifact of excelling cultural value. In this paper, Brathwaite’s poetic discourse joins that of Claudia Rankine, whose Don’t Let Me Be Lonely offers a contemporary poetic confrontation between the American media’s distillation of history and the poetic re-memory of those events, through the eyes of the Black community. The collections maintain strong political overtones in their historicizing of the suffering that African peoples have endured wherever they are in the black diaspora. Read together, they challenge the mythological depictions of mainstream America as a nation that embraces cultural difference, while upholding the need for continuing a discourse that contests mainstream representations of the status quo of the black American community.

Dec. 19, 2019
Sept. 14, 2019
May 16, 2019

Keywords: Black American literatureMiddle PassageKamau BrathwaiteMemoryClaudia Rankin

Copyright: © 2019 Derrilyn E. Morrison. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.