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DC Field	Value
dc.identifier	ECF_article_8329
dc.title	Gli «oscuri turiboli» del simbolo. Penna e d’Annunzio
dc.contributor.author	Deidier Roberto
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2022/1/gli-oscuri-turiboli-del-simbolo-penna-e-dannunzio/
dc.description.abstract	In the interpretation of his trained readers Sandro Penna has been the object of a great misunderstanding. For a long time his relationship with the greatest poetical works of his time has been hidden; it happened the same with the authors he could read during a long training. The most recent studies about Penna’s intertextuality focused on citations, limiting themselves to compiling a register, without considering the long duration of international cultural processes to which Penna himself refers. The name of Gabriele d’Annunzio is that of a certain actor among these processes, dealing above all with the poetics of symbol.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 9 \| October 2022
dc.issued	2022-10-28
dc.dateAccepted	2022-07-04
dc.dateSubmitted	2022-02-24
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AdA/2421-292X/2022/01/014
dc.peer-review	yes
dc.subject	Intertextuality
dc.subject	Modernism
dc.subject	Music
dc.subject	Poetry
dc.subject	Symbol

Research Article
open access peer reviewed

Gli «oscuri turiboli» del simbolo. Penna e d’Annunzio

Roberto Deidier Università degli Studi di Palermo, Italia

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abstract

In the interpretation of his trained readers Sandro Penna has been the object of a great misunderstanding. For a long time his relationship with the greatest poetical works of his time has been hidden; it happened the same with the authors he could read during a long training. The most recent studies about Penna’s intertextuality focused on citations, limiting themselves to compiling a register, without considering the long duration of international cultural processes to which Penna himself refers. The name of Gabriele d’Annunzio is that of a certain actor among these processes, dealing above all with the poetics of symbol.

Published

Oct. 28, 2022

Accepted

July 4, 2022

Submitted

Feb. 24, 2022

Language

Keywords: Intertextuality • Modernism • Poetry • Music • Symbol

permalink http://doi.org/10.30687/AdA/2421-292X/2022/01/014

Copyright: © 2022 Roberto Deidier. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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