Le parole di d’Annunzio in Rebora

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DC Field	Value
dc.identifier	ECF_article_8345
dc.title	Le parole di d’Annunzio in Rebora. Dinamismo delle fonti tra stile e ideologia
dc.contributor.author	Mussini Gianni
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2022/1/le-parole-di-dannunzio-in-rebora/
dc.description.abstract	This essay analyses d’Annunzio’s sources in Rebora’s work – in one case, it is the other way around – showing the latter’s consciously argumentative use of the source author, whose words are borrowed to overturn their ethical value. Thus, from d’Annunzio’s precious aestheticism, these words move on to Clemente Rebora’s harsh, morally pregnant poetry, acquiring a whole new colour. Beside many examples of specific intertextual relations, concerning first Frammenti lirici and then Canti anonimi and Poesie sparse, this paper also includes in-depth analysis of the peculiar ideology underlying the two poets’ work. The results of this research, tapping also into the Concordance, are copious. The final part of the essay presents a reflection about the two authors’ mental and stylistic attitude with respect to the War, delineating unforgettable moral portraits.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 9 \| October 2022
dc.issued	2022-10-28
dc.dateAccepted	2022-06-27
dc.dateSubmitted	2022-03-09
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AdA/2421-292X/2022/01/008
dc.peer-review	yes
dc.subject	Antidannunzianesimo
dc.subject	Carso
dc.subject	D’Annunzio
dc.subject	Fonti
dc.subject	Guerra
dc.subject	Nietzsche
dc.subject	Rebora

Research Article
open access peer reviewed

Dinamismo delle fonti tra stile e ideologia

Gianni Mussini Università di Pavia, Italia

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abstract

This essay analyses d’Annunzio’s sources in Rebora’s work – in one case, it is the other way around – showing the latter’s consciously argumentative use of the source author, whose words are borrowed to overturn their ethical value. Thus, from d’Annunzio’s precious aestheticism, these words move on to Clemente Rebora’s harsh, morally pregnant poetry, acquiring a whole new colour. Beside many examples of specific intertextual relations, concerning first Frammenti lirici and then Canti anonimi and Poesie sparse, this paper also includes in-depth analysis of the peculiar ideology underlying the two poets’ work. The results of this research, tapping also into the Concordance, are copious. The final part of the essay presents a reflection about the two authors’ mental and stylistic attitude with respect to the War, delineating unforgettable moral portraits.

Published

Oct. 28, 2022

Accepted

June 27, 2022

Submitted

March 9, 2022

Language

Keywords: Fonti • Rebora • Carso • Guerra • D’Annunzio • Nietzsche • Antidannunzianesimo

permalink http://doi.org/10.30687/AdA/2421-292X/2022/01/008

Copyright: © 2022 Gianni Mussini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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