Journal | Archivio d’Annunzio
Journal issue | 4 | 2017
Research Article | D’Annunzio e il teatro fuori dal teatro
D’Annunzio e il teatro fuori dal teatro
La messinscena della Figlia di Iorio al Vittoriale (1927) e della Nave a Venezia (1938)
Abstract
At the origin of the two stage shows there is the idea of commemoration: September 11, the anniversary of the march on Ronchi, for La Figlia di Iorio to Vittoriale in 1927 and the homage to the Vate who has disappeared for a few months to represent La Nave in Venice in 1938; two different ways of celebrating and ritualising the event/theatre out of the theatre. And while in the first case, in a celebratory context he himself cared for, d’Annunzio became an enthusiastic promoter of a significant updating of the theatrical practice, in 1938 the regime finalised the event to an exaggeration of the duce’s politics in the lagoon marking a substantial distance from the ideological motives that had prompted the author to carry out his work.
Submitted: Dec. 12, 2016 | Accepted: May 3, 2017 | Published Oct. 5, 2017 | Language: it
Keywords Dramatist • La Nave • D’Annunzio • Figlia di Iorio • Theatre
Copyright © 2017 Giovanni Isgrò. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2421-292X/AdA-4-17-3
