Journal | Archivio d’Annunzio
Journal issue | 2 | 2015
Research Article | Il romanzo veneziano e la tradizione musicale italiana
Il romanzo veneziano e la tradizione musicale italiana
Abstract
If the Fuoco is usually interpreted as the Wagnerian novel par excellence, it does not have to be underestimated the support that d’Annunzio gives the Italian music, especially the tradition that comes from Palestrina to Benedetto Marcello and to the divine Claudio Monteverdi, whose name, linked to the Lamento di Arianna, generates a devotional respect among the guests of Foscarina’s house. The exploration of d'Annunzio's wide musical culture is not original but finds its sources in the Histoire de l'Opera en Europe by Romain Rolland, already reported by Guy Tosi and now investigated with original results.
Submitted: Sept. 4, 2015 | Accepted: May 12, 2016 | Published Oct. 31, 2015 | Language: it
Keywords Music • D’Annunzio Prose Writer • Venice
Copyright © 2015 Gianni Oliva. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2421-292X/AdA-2-15-1
