Il romanzo veneziano e la tradizione musicale italiana

« articolo precedente | articolo successivo »

Campo DC	Valore
dc.identifier	ECF_article_197
dc.title	Il romanzo veneziano e la tradizione musicale italiana
dc.contributor.author	Oliva Gianni
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2015/1/il-romanzo-veneziano-e-la-tradizione-musicale-ital/
dc.description.abstract	If the Fuoco is usually interpreted as the Wagnerian novel par excellence, it does not have to be underestimated the support that d’Annunzio gives the Italian music, especially the tradition that comes from Palestrina to Benedetto Marcello and to the divine Claudio Monteverdi, whose name, linked to the Lamento di Arianna, generates a devotional respect among the guests of Foscarina’s house. The exploration of d'Annunzio's wide musical culture is not original but finds its sources in the Histoire de l'Opera en Europe by Romain Rolland, already reported by Guy Tosi and now investigated with original results.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 2 \| Ottobre 2015
dc.issued	2015-10-31
dc.dateAccepted	2016-05-12
dc.dateSubmitted	2015-09-04
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2421-292X/AdA-2-15-1
dc.peer-review	yes
dc.subject	D’Annunzio Prose Writer
dc.subject	D’Annunzio Prose Writer
dc.subject	Music
dc.subject	Music
dc.subject	Venice
dc.subject	Venice

Articolo
open access peer reviewed

Gianni Oliva Università degli Studi «G. D’Annunzio» Chieti-Pescara, Italia

VIEW PDF DOWNLOAD PDF

abstract

If the Fuoco is usually interpreted as the Wagnerian novel par excellence, it does not have to be underestimated the support that d’Annunzio gives the Italian music, especially the tradition that comes from Palestrina to Benedetto Marcello and to the divine Claudio Monteverdi, whose name, linked to the Lamento di Arianna, generates a devotional respect among the guests of Foscarina’s house. The exploration of d'Annunzio's wide musical culture is not original but finds its sources in the Histoire de l'Opera en Europe by Romain Rolland, already reported by Guy Tosi and now investigated with original results.

Pubblicato

31 Ottobre 2015

Accettato

12 Maggio 2016

Presentato

04 Settembre 2015

Lingua

Keywords: D’Annunzio Prose Writer • Venice • Music

permalink http://doi.org/10.14277/2421-292X/AdA-2-15-1

Copyright: © 2015 Gianni Oliva. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Citazioni verso questo capitolo

How to cite