Series |
Quaderni di Venezia Arti
Review | Unveiling the Void: Erasure, Latency, Potentiality
Chapter | Erasing Language: An Analysis on Vincenzo Agnetti’s Axioms
Erasing Language: An Analysis on Vincenzo Agnetti’s Axioms
- Gaia Cerrelli - Università degli Studi di Roma «La Sapienza»; Università Cattolica del Sacro Cuore, Milano, Italia - email
Abstract
The present dissertation aims to highlight the process of language erasure that Vincenzo Agnetti employs in his artistic production, with a specific focus on the aesthetic features and the ‘narrations’ present in the Axioms series, related to absence and void. Throughout the study of these works, with reference to the poetic vision of the artist – for example, the concept of ‘forgotten by heart’ – it will be shown how the notion of void traverses the Axioms: meditations on memory, temporality and space are fundamental for a broader reflection on absence related to experience, in an existential and political sense.
Submitted: Oct. 15, 2025 | Published Dec. 15, 2025 | Language: en
Keywords Axioms • Erasure • Language • Memory • Vincenzo Agnetti
Copyright © 2025 Gaia Cerrelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Introductory Remarks
- Simone Piazza
- Dec. 15, 2025
When Body Disappears
-
Representations of the Potentiated Void
Contemporary Artistic Examinations of Forced Absences and Disrupted Presences - Veronika Rudorfer
- Dec. 15, 2025
- Clothes Art and the Absent Body’s Communicative Potential
- Marta Del Mutolo
- Dec. 15, 2025
- The Shell of an In-Essential Void: The Disappearance of the Body and Its Traces in Alina Szapocznikow’s Photosculptures
- Mattia Cucurullo
- Dec. 15, 2025
Material Surfaces: Erasures and Potentialities
- Horror vacui in Early Modern Ceramics. Overall Approach to Covering Surfaces
- Ariane Milicev
- Dec. 15, 2025
- Erasing Language: An Analysis on Vincenzo Agnetti’s Axioms
- Gaia Cerrelli
- Dec. 15, 2025
Experiencing the Void: On Other Spaces
- Maria Rebecca Ballestra: Absence Between Nature and Human Being in Echoes of the Void
- Bianca Romano
- Dec. 15, 2025
Absence Through Objects and Architectural Spaces
- “Meditations on the Sense of Erasures”: Berlin as a Mnemotope in the Architectural Projects of Oswald Mathias Ungers and John Hejduk
- Taisiya Zakharova
- Dec. 15, 2025
- Elio Petri, L’assassino (1961): The Nemi Museum and the Ghost of the Ships
- Ilaria Grippa
- Dec. 15, 2025
Void and Residual Traces
- Imperceptibility as Feminist Epistemology in the Work of Eva Hesse, Ana Mendieta and Francesca Woodman
- Lee Sze Man Sarotta
- Dec. 15, 2025
- Reading the Void: Nil Yalter’s Semiotics of the Body
- Asia Benedetti
- Dec. 15, 2025
Afterword
- Voidness and Artistic Creation: Between Aesthetics and Ethics
- Marcello Ghilardi
- Dec. 15, 2025
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_25872 |
|
dc.contributor.author |
Cerrelli Gaia |
|
dc.title |
Erasing Language: An Analysis on Vincenzo Agnetti’s Axioms |
|
dc.type |
Chapter |
|
dc.language.iso |
en |
|
dc.description.abstract |
The present dissertation aims to highlight the process of language erasure that Vincenzo Agnetti employs in his artistic production, with a specific focus on the aesthetic features and the ‘narrations’ present in the Axioms series, related to absence and void. Throughout the study of these works, with reference to the poetic vision of the artist – for example, the concept of ‘forgotten by heart’ – it will be shown how the notion of void traverses the Axioms: meditations on memory, temporality and space are fundamental for a broader reflection on absence related to experience, in an existential and political sense. |
|
dc.relation.ispartof |
Quaderni di Venezia Arti |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.issued |
2025-12-15 |
|
dc.dateSubmitted |
2025-10-15 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/979-12-5742-001-7/erasing-language-an-analysis-on-vincenzo-agnettis/ |
|
dc.identifier.doi |
10.30687/979-12-5742-001-7/005 |
|
dc.identifier.eissn |
2784-8868 |
|
dc.identifier.isbn |
|
|
dc.identifier.eisbn |
979-12-5742-001-7 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Axioms |
|
dc.subject |
Erasure |
|
dc.subject |
Language |
|
dc.subject |
Memory |
|
dc.subject |
Vincenzo Agnetti |
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