Series |
Library of Rassegna iberistica
Volume 33 | Edited book | Mirades afectives sobre la cultura catalana contemporània
Mirades afectives sobre la cultura catalana contemporània
open access | peer reviewed-
edited by
- Elisenda Marcer - University of Birmingham - email
- Catalina Mir - Universitat de Barcelona - email
- Irene Mira Navarro - Universitat d'Alacant - email
- Margalida Pons - Universitat de les Illes Balears, Palma, Espanya - email
Abstract
This volume provides an overview of Catalan culture through the lens of Affect Studies. The goal is to examine and interpret literature, performing arts, music, and dance as reflections of contemporary emotional regimes. The essays in the book address two primary objectives regarding the presence of emotions in today’s world. Firstly, they explore discourses on pain, vulnerability, anger or resilience, among other concepts, to explain how emotions and affects manifest in culture. Secondly, they examine the mechanisms by which art can either challenge or reproduce societal affective mandates.
Keywords Intention • Barthes • Affect • Affect theory • Jouissance • Dance and poetry • Queer theories • Psychoanalysis • Feminism • Catalan Theatre • Affect studies • Mourning • Anger • New materialism • Un estiu • Emotional body • Contemporary literature • Performance • Poetry • Derrida • Intra-action • Theatre studies • Barcelona • Freud • Hip hop • Butler • Resilience • Irony • Emotions • Intersexuality • Act of looking • Catalan art • Rap • Narrative pact • Diary • Memory • Joan Vinyoli (1914-1984) • Language • Art • Posthumanism • Agency • Embodied knowledge • Genealogies • Toponormativity • Referential productivity • Sublimation • Aesthetics of dance • Antonina Canyelles • Urbanism • Animalistic presence • Roser López Espinosa • Subjectivity • Affection • Collectives • Catalan literature • Catalan culture • Discursive strategies • Affect Studies • Disability • Scenic arts • Francesc Parcerisas • Humanhood • Pain • Non-fiction • Human relationships
Permalink http://doi.org/10.30687/978-88-6969-754-8 | e-ISBN 978-88-6969-754-8 | ISBN (PRINT) 978-88-6969-755-5 | Published Dec. 19, 2023 | Language ca
Copyright © 2023 Elisenda Marcer, Catalina Mir, Irene Mira Navarro, Margalida Pons. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
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Introducció
La mirada com a productora d’esdeveniments i els estudis de l’afecte - Dec. 19, 2023
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Hip hop, indignació i ‘hàbit de l’art’
Lírica, actuació, afecte - Dec. 19, 2023
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«Gaudim sense metàfores»
Llenguatge, gaudi i subjectivitat en la poesia de Joan Vinyoli - Dec. 19, 2023
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Un estiu, de Francesc Parcerisas
Un dol derridià per la mare i els amics - Dec. 19, 2023
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Escriptura, discapacitat i afectivitat
Una anàlisi narratològica i discursiva a partir d’El teu nom és Olga, de Josep M. Espinàs, i Quiet, de Màrius Serra - Dec. 19, 2023
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Tot desestabilitzant la toponormativitat
Una aproximació a algunes iniciatives de resistència queer en l’escena catalana contemporània - Dec. 19, 2023
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«Un tortell esponjós que t’envolta i s’estufa per l’habitació»
Imatges afectives del vincle feminista al teatre català recent - Dec. 19, 2023
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Traçant línies afectives
Moviment i (con-)tacte a Trama de Roser López i Torus de Humanhood - Dec. 19, 2023
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La poètica de la vulnerabilitat
A propòsit de la companyia de dansa Mal Pelo - Dec. 19, 2023
