Series | Ca’ Foscari Japanese Studies
Edited book | The Aesthetics of Emptiness
Chapter | Un’assoluta e imperturbabile staticità
Un’assoluta e imperturbabile staticità
Lettura e ascolto di Lettera alla madre per shō
Abstract
In this article the author recalls his encounter with the shō, a traditional Japanese musical instrument, and the following composition of Lettera alla madre, a piece of music conceived under the aegis of syncretism between East and West, poised between an expanding strophic structure and childhood memories.
Submitted: Oct. 24, 2022 | Accepted: Nov. 24, 2022 | Published April 21, 2023 | Language: it
Keywords Synaesthesia • Shō • Music composition and childhood memory • Japanese mouth organ • Greek lullaby Κοιμήσου καί παρήγγειλα • Lettera alla madre
Copyright © 2023 Riccardo Vaglini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-701-2/017
