Performance Installation as a Haunted Landscape

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DC Field	Value
dc.identifier	ECF_chapter_15638
dc.contributor.author	Kukrić Irena
dc.title	Performance Installation as a Haunted Landscape
dc.type	Chapter
dc.language.iso	en
dc.description.abstract	As humans today so often relate to people who are not physically present and to media governed by code, this essay proposes that in a performance without humans acting, the audience might find more sensory connection than with the human actor at the centre of it. Looking into what is left once the human actor is not present, this study will focus on the notion of hauntology and landscape and how the two might be entangled. It explores how past, present, and future come together in the space of a performance, as well as the notion of landscape as a model to organise our thoughts and performance setting. These notions are difficult to grasp. Perhaps only through practice, can we rehearse and come to further understanding.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-12-21
dc.dateSubmitted	2022-11-02
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-675-6/performance-installation-as-a-haunted-landscape/
dc.identifier.doi	10.30687/978-88-6969-675-6/011
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-675-6
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Absence
dc.subject	Hauntology
dc.subject	Landscape
dc.subject	Non-human
dc.subject	Performance installation
dc.subject	Presence
dc.subject	Technology

Chapter
open access

Performance Installation as a Haunted Landscape

Irena Kukrić University of Arts Bremen, Germany

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abstract

As humans today so often relate to people who are not physically present and to media governed by code, this essay proposes that in a performance without humans acting, the audience might find more sensory connection than with the human actor at the centre of it. Looking into what is left once the human actor is not present, this study will focus on the notion of hauntology and landscape and how the two might be entangled. It explores how past, present, and future come together in the space of a performance, as well as the notion of landscape as a model to organise our thoughts and performance setting. These notions are difficult to grasp. Perhaps only through practice, can we rehearse and come to further understanding.

Published

Dec. 21, 2022

Submitted

Nov. 2, 2022

Language

ISBN (EBOOK)

978-88-6969-675-6

Keywords: Absence • Technology • Non-human • Hauntology • Presence • Performance installation • Landscape

permalink: http://doi.org/10.30687/978-88-6969-675-6/011

Copyright: © 2022 Irena Kukrić. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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