Series |
Quaderni di Venezia Arti
Edited book | Space Oddity: Exercises in Art and Philosophy
Chapter | Introduction
Introduction
Published Dec. 21, 2022 | Language: en
Copyright © 2022 Giulia Gelmi, Anastasia Kozachenko-Stravinsky, Andrea Nalesso. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Introduction
- Giulia Gelmi, Anastasia Kozachenko-Stravinsky, Andrea Nalesso
- Dec. 21, 2022
Display Tools: From Theory to Practice
- Darkness Visible: The Art of Occupying Public Space as a Space of Appearance
- Daniel Borselli
- Dec. 21, 2022
- Space in Mediations. Re-situating Architectural Experience in the Exhibition
- Arianna Casarini
- Dec. 21, 2022
- The Question of Space in the Chilean Representation and Pavilion in Venice Biennale
- Mariagrazia Muscatello
- Dec. 21, 2022
Juggling the Presence, Revealing the Concepts
- The ‘Odd’ Conception of Space in Stoic Philosophy
- Barbara Castellani
- Dec. 21, 2022
- Making Room: Heidegger’s Concept of Einräumung
- Marco Cavazza
- Dec. 21, 2022
- Inflatable vs Tectonic. A Seven Days Diary to Disrupt a Miesian Space in Berlin
- Laura Mucciolo
- Dec. 21, 2022
-
The Controversial Rise of Skilled Intentionality
Reconsidering Hylonoetic Agency in Malafouris’ Material Engagement Theory - Riccardo Valenti
- Dec. 21, 2022
Cultural Crossroads: In Search of a Common Ground
-
The Stravinsky’s Family. The Home as a Strategy of Life and Creation
Apartment on the Kryukov Canal: From an Apartment House to a Communal Apartment - Anastasia Kozachenko-Stravinsky
- Dec. 21, 2022
Social Dynamics’ Insight: Questioning Power and Community
- Nefs d’Or, Nefs d’Argent Between Space and Power
- Andrea Missagia, Feliciano Tosetto
- Dec. 21, 2022
Permeable Boundaries: Materiality vs Immateriality
-
The Space of the Body from Classical to Contemporary Dance
A Matter of Coloniality - Lara Barzon
- Dec. 21, 2022
- Performance Installation as a Haunted Landscape
- Irena Kukrić
- Dec. 21, 2022
- Vital Spaces and Living Spaces in Contemporary Archival Practice
- Costantino Vecchi
- Dec. 21, 2022
Representation as Trace of Enunciation
-
From Inside to Outside and Vice Versa
A Contribution on Spatiality in Analogue Photography - Miriam Rejas Del Pino
- Dec. 21, 2022
-
Topology of Scrapbooking
Browsing Through a Space in Constant Transformation - Simone Rossi
- Dec. 21, 2022
-
Orbital Dying
Watching the Crucifixion from God’s Point of View - Martin Wiesinger
- Dec. 21, 2022
Building Narratives, Imagining Realities
-
Constructing the National Image
Identity and Material Culture in Late Imperial Russia Public Museum Practices - Giulia Gelmi
- Dec. 21, 2022
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_16029 |
|
dc.contributor.author |
Gelmi Giulia |
|
dc.contributor.author |
Kozachenko-Stravinsky Anastasia |
|
dc.contributor.author |
Nalesso Andrea |
|
dc.title |
Introduction |
|
dc.type |
Chapter |
|
dc.language.iso |
en |
|
dc.relation.ispartof |
Quaderni di Venezia Arti |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.issued |
2022-12-21 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-675-6/introduction/ |
|
dc.identifier.eissn |
2784-8868 |
|
dc.identifier.isbn |
|
|
dc.identifier.eisbn |
978-88-6969-675-6 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
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