Series |
Quaderni di Venezia Arti
Edited book | Space Oddity: Exercises in Art and Philosophy
Chapter | Constructing the National Image
Abstract
During the last quarter of the nineteenth century, late imperial Russia began witnessing the so-called phenomenon of ‘museomania’. A peculiar example of this process of ‘musealisation’ was the Commercial and Industrial Museum of Artisanal Products of the Moscow Province Zemstvo, otherwise referred to as the Moscow Kustar’ Museum, established in 1885. Created as a focal point for the arts and crafts production in the ‘Russian style’ that had come into vogue at that time, the museum soon took on the role of a plural and hybrid space for reflection on and reconstruction of the national visual identity through the arts.
Submitted: Dec. 2, 2022 | Published Dec. 21, 2022 | Language: en
Keywords Cultural discourse • Kustar • National image • Cultural space • Russian style • Arts and crafts • Museum • Visual identity • Folklore
Copyright © 2022 Giulia Gelmi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-675-6/016
Display Tools: From Theory to Practice
Juggling the Presence, Revealing the Concepts
Cultural Crossroads: In Search of a Common Ground
Social Dynamics’ Insight: Questioning Power and Community
Permeable Boundaries: Materiality vs Immateriality
Representation as Trace of Enunciation
Building Narratives, Imagining Realities
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DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_15710 |
dc.contributor.author |
Gelmi Giulia |
dc.title |
Constructing the National Image. Identity and Material Culture in Late Imperial Russia Public Museum Practices |
dc.type |
Chapter |
dc.language.iso |
en |
dc.description.abstract |
During the last quarter of the nineteenth century, late imperial Russia began witnessing the so-called phenomenon of ‘museomania’. A peculiar example of this process of ‘musealisation’ was the Commercial and Industrial Museum of Artisanal Products of the Moscow Province Zemstvo, otherwise referred to as the Moscow Kustar’ Museum, established in 1885. Created as a focal point for the arts and crafts production in the ‘Russian style’ that had come into vogue at that time, the museum soon took on the role of a plural and hybrid space for reflection on and reconstruction of the national visual identity through the arts. |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2022-12-21 |
dc.dateSubmitted |
2022-12-02 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-675-6/constructing-the-national-image/ |
dc.identifier.doi |
10.30687/978-88-6969-675-6/016 |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
|
dc.identifier.eisbn |
978-88-6969-675-6 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Arts and crafts |
dc.subject |
Cultural discourse |
dc.subject |
Cultural space |
dc.subject |
Folklore |
dc.subject |
Kustar |
dc.subject |
Museum |
dc.subject |
National image |
dc.subject |
Russian style |
dc.subject |
Visual identity |
Download data |
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