• Antonio Iacobini - Sapienza Università di Roma - email

• Foreword
• Antonio Rigo
• Aug. 22, 2022

Section 1. Patrimoines

• Introduction
• Jannic Durand, Catherine Jolivet-Lévy
• Aug. 22, 2022

• Discovering and Preserving Byzantine Constantinople: Archaeology and Heritage Policies in Istanbul
• Barış Altan, Ayşe Ercan
• Aug. 22, 2022

• La matérialité des collections byzantines. Le cas des textiles
• Marielle Martiniani-Reber
• Aug. 22, 2022

• Atypical Patrimony. Collecting Byzantine Art in American University Museums
• Robert Nelson
• Aug. 22, 2022

• Verso un museo digitale dell’Italia bizantina
  Un progetto per la conoscenza di un patrimonio artistico disseminato
• Antonio Iacobini
• Aug. 22, 2022

Section 2. Linking Fields, Approaches, and Methods

• La sigillographie. État des lieux, innovations, apport à d’autres disciplines
• Jean-Claude Cheynet
• Aug. 22, 2022

• Creative Thinking and Interdisciplinary Approaches to Byzantine Artistic Production
• Brigitte Pitarakis
• Aug. 22, 2022

• Interdisciplinarity in Byzantine Studies
  A Sacred-Landscapes and Digital-Humanities Approach
• Athanasios Vionis
• Aug. 22, 2022

• Literature. No Longer the Cinderella of Byzantine Studies
• Ingela Nilsson
• Aug. 22, 2022

• Linking Fields, Approaches, and Methods in Byzantine Legal Studies
• Daphne Papadatou
• Aug. 22, 2022

• Climate History of Byzantium at the Crossroads
• Adam Izdebski
• Aug. 22, 2022

• A Race Against Time
  The Impact of Contemporary Environmental and Demographic Changes on the Research of the Historical Geography of Byzantium
• Mihailo St. Popović
• Aug. 22, 2022

• Interdisciplinary Field Methods in the Study of Byzantine Landscapes
  The Land and the Sea in Rough Cilicia
• Günder Varinlioğlu
• Aug. 22, 2022

• Which Interdisciplinarity?
  Reinvigorating Theory and Practice as an Opportunity for Byzantine Studies
• Myrto Veikou
• Aug. 22, 2022

Section 3. Textual Exchanges

• Textual Exchanges in Late Antiquity East and South of Byzantium Seen Through an Eastern Christian Lens
• Muriel Debié
• Aug. 22, 2022

• Une appropriation impossible. Textes et formes littéraires entre Byzance et l’Occident
• Paolo Odorico
• Aug. 22, 2022

• Texts and Tales of Byzantium in Primarily Oral Cultures
  From the Caucasus to Canterbury
• Jonathan Shepard
• Aug. 22, 2022

Section 4. Continuity and Break: From Ancient to Medieval Worlds

• Understanding Urban Transformation in Amorium from Late Antiquity to the Middle Ages
• Zeliha Demirel-Gökalp, Nikos Tsivikis
• Aug. 22, 2022

• Understanding Societal Transformation Through Ceramic Production and Use in Pisidia and Isauria
• Mark Jackson
• Aug. 22, 2022

• Constantinople in the Middle Byzantine Age
• Albrecht Berger
• Aug. 22, 2022

Section 5. Social, Cultural, and Material Networks

• Les réseaux et les études byzantines
• Michel Kaplan
• Aug. 22, 2022

• Symploke and complexio
  Entangling and Dis-Entangling the Networks of the Roman Empire of the East in the Early Medieval World, Fourth-Ninth Century CE
• Johannes Preiser-Kapeller
• Aug. 22, 2022

• The Use of Non-Commercial Networks for the Study of Byzantium’s Foreign Trade
  The Case of Byzantine-Islamic Commerce in the Early Middle Ages
• Koray Durak
• Aug. 22, 2022

• Shifting Byzantine Networks
  New Light on Chalcis (Euripos/Negroponte) as a Centre of Production and Trade in Greece
• Joanita Vroom
• Aug. 22, 2022

Section 6. Byzantium and the Turks

• From Byzantium to Muslim-Turkish Anatolia
  Transformation, Frontiers, Diplomacy, and Interaction, Eleventh to Twelfth Centuries
• Alexander Beihammer
• Aug. 22, 2022

• Byzantium and Asia. An Attempt at Reconceptualisation
• Rustam Shukurov
• Aug. 22, 2022

• Two Tales of a City
  Adrianople/Edirne
• Buket Kitapçi Bayri
• Aug. 22, 2022

DC Field	Value
dc.identifier	ECF_chapter_9708
dc.contributor.author	Iacobini Antonio
dc.title	Verso un museo digitale dell’Italia bizantina. Un progetto per la conoscenza di un patrimonio artistico disseminato
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Abstract The number of Byzantine objects in Italian museums and churches is extremely relevant, yet this heritage is dispersed throughout the country, forming a submerged network that is barely visible. The goal of the project Navigating Through Byzantine Italy is to highlight this network by creating an online catalogue of the Byzantine objects publicly displayed or accessible in Italy. Combined with an international workshop and a volume – both included in the outcomes of the project – this catalogue will help to achieve a better understanding of crucial phenomena that characterised cultural interrelations in the medieval Mediterranean, such as patronage, diplomacy, trade, and collecting.
dc.relation.ispartof	The 24th International Congress of Byzantine Studies
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-08-22
dc.dateAccepted	2022-06-27
dc.dateSubmitted	2022-06-23
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-590-2/verso-un-museo-digitale-dellitalia-bizantina/
dc.identifier.doi	10.30687/978-88-6969-590-2/005
dc.identifier.eissn	3715-9453
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-590-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Byzantine art
dc.subject	Catalogue
dc.subject	Italian museums and churches
dc.subject	Italy
dc.subject	Mediterranean
dc.subject	Portable art
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