Series |
The 24th International Congress of Byzantine Studies
|
Byzantine Studies
Edited book | Proceedings of the Plenary Sessions
Chapter | Atypical Patrimony. Collecting Byzantine Art in American University Museums
Atypical Patrimony. Collecting Byzantine Art in American University Museums
- Robert Nelson - Yale University, New Haven - email
Abstract
American university museums became important institutions for the study and popularisation of Byzantine art in the United States during the first half of the twentieth century. Largely confined to major East Coast universities, university museums, led by Harvard’s Dumbarton Oaks, acquired significant amount of Byzantine art between the two World Wars and sponsored excavations. For the most part this interest was motivated not from personal connections with Greek culture or the lands of the Byzantine Empire, but because of the aesthetic significance and scholarly interest of this art. The French and English Mandates in Syria and Palestine aided these acquisitions, a colonial heritage of Byzantine studies that has remained little studied.
Submitted: Nov. 7, 2021 | Accepted: March 16, 2022 | Published Aug. 22, 2022 | Language: en
Keywords Byzantine art • American university museums • American University Museums • English Mandate • French mandate • Robert and Mildred Bliss • French Mandate • Royall Tyler • English mandate
Copyright © 2022 Robert Nelson. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-590-2/004
- Foreword
- Antonio Rigo
- Aug. 22, 2022
Section 1. Patrimoines
- Introduction
- Jannic Durand, Catherine Jolivet-Lévy
- Aug. 22, 2022
- Discovering and Preserving Byzantine Constantinople: Archaeology and Heritage Policies in Istanbul
- Barış Altan, Ayşe Ercan
- Aug. 22, 2022
- La matérialité des collections byzantines. Le cas des textiles
- Marielle Martiniani-Reber
- Aug. 22, 2022
- Atypical Patrimony. Collecting Byzantine Art in American University Museums
- Robert Nelson
- Aug. 22, 2022
-
Verso un museo digitale dell’Italia bizantina
Un progetto per la conoscenza di un patrimonio artistico disseminato - Antonio Iacobini
- Aug. 22, 2022
Section 2. Linking Fields, Approaches, and Methods
- La sigillographie. État des lieux, innovations, apport à d’autres disciplines
- Jean-Claude Cheynet
- Aug. 22, 2022
- Creative Thinking and Interdisciplinary Approaches to Byzantine Artistic Production
- Brigitte Pitarakis
- Aug. 22, 2022
-
Interdisciplinarity in Byzantine Studies
A Sacred-Landscapes and Digital-Humanities Approach - Athanasios Vionis
- Aug. 22, 2022
- Literature. No Longer the Cinderella of Byzantine Studies
- Ingela Nilsson
- Aug. 22, 2022
- Linking Fields, Approaches, and Methods in Byzantine Legal Studies
- Daphne Papadatou
- Aug. 22, 2022
- Climate History of Byzantium at the Crossroads
- Adam Izdebski
- Aug. 22, 2022
-
A Race Against Time
The Impact of Contemporary Environmental and Demographic Changes on the Research of the Historical Geography of Byzantium - Mihailo St. Popović
- Aug. 22, 2022
-
Interdisciplinary Field Methods in the Study of Byzantine Landscapes
The Land and the Sea in Rough Cilicia - Günder Varinlioğlu
- Aug. 22, 2022
-
Which Interdisciplinarity?
Reinvigorating Theory and Practice as an Opportunity for Byzantine Studies - Myrto Veikou
- Aug. 22, 2022
Section 3. Textual Exchanges
- Textual Exchanges in Late Antiquity East and South of Byzantium Seen Through an Eastern Christian Lens
- Muriel Debié
- Aug. 22, 2022
- Une appropriation impossible. Textes et formes littéraires entre Byzance et l’Occident
- Paolo Odorico
- Aug. 22, 2022
-
Texts and Tales of Byzantium in Primarily Oral Cultures
From the Caucasus to Canterbury - Jonathan Shepard
- Aug. 22, 2022
Section 4. Continuity and Break: From Ancient to Medieval Worlds
- Understanding Urban Transformation in Amorium from Late Antiquity to the Middle Ages
- Zeliha Demirel-Gökalp, Nikos Tsivikis
- Aug. 22, 2022
- Understanding Societal Transformation Through Ceramic Production and Use in Pisidia and Isauria
- Mark Jackson
- Aug. 22, 2022
- Constantinople in the Middle Byzantine Age
- Albrecht Berger
- Aug. 22, 2022
Section 5. Social, Cultural, and Material Networks
- Les réseaux et les études byzantines
- Michel Kaplan
- Aug. 22, 2022
-
Symploke and complexio
Entangling and Dis-Entangling the Networks of the Roman Empire of the East in the Early Medieval World, Fourth-Ninth Century CE - Johannes Preiser-Kapeller
- Aug. 22, 2022
-
The Use of Non-Commercial Networks for the Study of Byzantium’s Foreign Trade
The Case of Byzantine-Islamic Commerce in the Early Middle Ages - Koray Durak
- Aug. 22, 2022
-
Shifting Byzantine Networks
New Light on Chalcis (Euripos/Negroponte) as a Centre of Production and Trade in Greece - Joanita Vroom
- Aug. 22, 2022
Section 6. Byzantium and the Turks
-
From Byzantium to Muslim-Turkish Anatolia
Transformation, Frontiers, Diplomacy, and Interaction, Eleventh to Twelfth Centuries - Alexander Beihammer
- Aug. 22, 2022
- Byzantium and Asia. An Attempt at Reconceptualisation
- Rustam Shukurov
- Aug. 22, 2022
-
Two Tales of a City
Adrianople/Edirne - Buket Kitapçi Bayri
- Aug. 22, 2022
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_6999 |
|
dc.contributor.author |
Nelson Robert |
|
dc.title |
Atypical Patrimony. Collecting Byzantine Art in American University Museums |
|
dc.type |
Chapter |
|
dc.language.iso |
en |
|
dc.description.abstract |
American university museums became important institutions for the study and popularisation of Byzantine art in the United States during the first half of the twentieth century. Largely confined to major East Coast universities, university museums, led by Harvard’s Dumbarton Oaks, acquired significant amount of Byzantine art between the two World Wars and sponsored excavations. For the most part this interest was motivated not from personal connections with Greek culture or the lands of the Byzantine Empire, but because of the aesthetic significance and scholarly interest of this art. The French and English Mandates in Syria and Palestine aided these acquisitions, a colonial heritage of Byzantine studies that has remained little studied. |
|
dc.relation.ispartof |
The 24th International Congress of Byzantine Studies |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.issued |
2022-08-22 |
|
dc.dateAccepted |
2022-03-16 |
|
dc.dateSubmitted |
2021-11-07 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-590-2/atypical-patrimony-collecting-byzantine-art-in-ame/ |
|
dc.identifier.doi |
10.30687/978-88-6969-590-2/004 |
|
dc.identifier.eissn |
3715-9453 |
|
dc.identifier.isbn |
|
|
dc.identifier.eisbn |
978-88-6969-590-2 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
American University Museums |
|
dc.subject |
American university museums |
|
dc.subject |
Byzantine art |
|
dc.subject |
English Mandate |
|
dc.subject |
English mandate |
|
dc.subject |
French Mandate |
|
dc.subject |
French mandate |
|
dc.subject |
Robert and Mildred Bliss |
|
dc.subject |
Royall Tyler |
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