The Most Radical Exposure. Displaying Photography in Public Space

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DC Field	Value
dc.identifier	ECF_chapter_6955
dc.contributor.author	Borselli Daniel
dc.title	The Most Radical Exposure. Displaying Photography in Public Space
dc.type	Chapter
dc.language.iso	en
dc.description.abstract	Due to its intrinsically objectual nature and its extra-artistic, capitalistic, and coercive public uses, photography holds a highly problematic position in contemporary art practices in urban space. Nevertheless, the growing number of outdoor photographic exhibitions calls for a reconsideration of its critical paradigms. This paper, therefore, presents the main issues related to photographic displays in shared urban space, discussing two case studies – i.e., Steve McQueen’s Year 3 project (London, 2019) and JR’s La Ferita – The Wound (Florence, 2021) – through the socially engaged art lenses of participation, duration, and the artists’ role towards the communities.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-05-13
dc.dateSubmitted	2021-10-19
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-589-6/the-most-radical-exposure-displaying-photography-i/
dc.identifier.doi	10.30687/978-88-6969-588-9/005
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-588-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Art in public space
dc.subject	Engagement
dc.subject	JR
dc.subject	Participation
dc.subject	Photographic display
dc.subject	Photography in public space
dc.subject	Situation
dc.subject	Socially engaged art
dc.subject	Steve McQueen

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The Most Radical Exposure. Displaying Photography in Public Space

Daniel Borselli Alma Mater Studiorum – Università di Bologna, Italia

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abstract

Due to its intrinsically objectual nature and its extra-artistic, capitalistic, and coercive public uses, photography holds a highly problematic position in contemporary art practices in urban space. Nevertheless, the growing number of outdoor photographic exhibitions calls for a reconsideration of its critical paradigms. This paper, therefore, presents the main issues related to photographic displays in shared urban space, discussing two case studies – i.e., Steve McQueen’s Year 3 project (London, 2019) and JR’s La Ferita – The Wound (Florence, 2021) – through the socially engaged art lenses of participation, duration, and the artists’ role towards the communities.

Published

May 13, 2022

Submitted

Oct. 19, 2021

Language

ISBN (EBOOK)

978-88-6969-588-9

Keywords: Socially engaged art • Engagement • Participation • Steve McQueen • Photographic display • Photography in public space • Art in public space • Situation • JR

permalink: http://doi.org/10.30687/978-88-6969-588-9/005

Copyright: © 2022 Daniel Borselli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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