Series |
Antiquity Studies
Edited book | Altera pars laboris
Chapter | Il Museo Nani in un manoscritto di Aurelio Guarnieri Ottoni
Abstract
This article focuses on a partially published manuscript concerning the epigraphic collection of Bernardo and Giacomo Nani in Venice, written by Earl Aurelio Guarnieri Ottoni from Osimo. Its different handwritings are not due to the intervention of many people, but to different writing phases. Guarnieri transcribed inscriptions up to his death. On the whole, it is a very accurate work, even though it did not receive a final revision.
Submitted: July 12, 2019 | Accepted: Oct. 2, 2019 | Published Dec. 11, 2019 | Language: it
Keywords Epigraphic fakes • Aurelio Guarnieri Ottoni • Antiquarian collections • Nani • Epigraphic manuscripts
Copyright © 2019 Simona Antolini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-374-8/002
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Antolini, Simona. ‘Il Museo Nani in Un Manoscritto Di Aurelio Guarnieri Ottoni’. Antichistica (11 De...
Antolini, Simona. ‘Il Museo Nani in Un Manoscritto Di Aurelio Guarnieri Ottoni’. Antichistica (2019)...
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_3399 |
dc.contributor.author |
Antolini Simona |
dc.title |
Il Museo Nani in un manoscritto di Aurelio Guarnieri Ottoni |
dc.type |
Chapter |
dc.language.iso |
it |
dc.description.abstract |
This article focuses on a partially published manuscript concerning the epigraphic collection of Bernardo and Giacomo Nani in Venice, written by Earl Aurelio Guarnieri Ottoni from Osimo. Its different handwritings are not due to the intervention of many people, but to different writing phases. Guarnieri transcribed inscriptions up to his death. On the whole, it is a very accurate work, even though it did not receive a final revision. |
dc.relation.ispartof |
Antiquity Studies |
dc.relation.ispartof |
Storia ed epigrafia |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-12-11 |
dc.dateAccepted |
2019-10-02 |
dc.dateSubmitted |
2019-07-12 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-375-5/il-museo-nani-in-un-manoscritto-di-aurelio-guarnie/ |
dc.identifier.doi |
10.30687/978-88-6969-374-8/002 |
dc.identifier.issn |
2610-8828 |
dc.identifier.eissn |
2610-9344 |
dc.identifier.isbn |
978-88-6969-375-5 |
dc.identifier.eisbn |
978-88-6969-374-8 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Antiquarian collections |
dc.subject |
Antiquarian collections |
dc.subject |
Aurelio Guarnieri Ottoni |
dc.subject |
Aurelio Guarnieri Ottoni |
dc.subject |
Epigraphic fakes |
dc.subject |
Epigraphic fakes |
dc.subject |
Epigraphic manuscripts |
dc.subject |
Epigraphic manuscripts |
dc.subject |
Nani |
dc.subject |
Nani |
Download data |
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