Series |
Medieval and Modern Philologies
Volume 15 | Review | The poetriae of the Latin Middle Ages
Abstract
This book offers a reflection upon Medieval Latin artes poetriae and aims to spur the scientific debate on them by means of eleven papers written by internationally-kwown scholars. The essays investigate, according to different perspectives and in different ways, various aspects of the artes: their relations with other texts (Latin and vulgar), their fortune, their sources, the cultural contexts in which they were read and commented, and single authors’ reflections upon specific questions.
Keywords Laborintus • Italy • Matthew of Vendôme • Arnaut Daniel • Dantes’s eclogues • Raimbaut d’Aurenga • List of authors • Politic discourse • Grammar • Dante • N’Ar de Mons • Pace da Ferrara • Allegory • Diffusion in Germany • Versus rapportati • Jean de Sponde • Medieval Latin • Geoffrey of Vinsauf • Humanism • Medieval latin pastoral poetry • Forms of versification • Poetic • Joglar • Bartolomeo da San Concordio • Petrarch • Poetics • Medieval poetics • Rhetoric • Bernardus Silvestris • Medieval rhetoric • Latin art of poetry • Matthew of Vendome • Etienne Jodelle • Guizzardo da Bologna • Medieval latin commentaries • Medieval poetry • Ramon de Cornet • Mothers • Gervase of Melkley • Metaphor • Defence of poetry • Occitan art of poetry • Artes poetriae • Rota Vergilii • Medieval literary genres • Poetria nova • Italian commentaries on the Poetria nova • Godmothers and foster mothers
Permalink http://doi.org/10.30687/978-88-6969-137-9 | e-ISBN 978-88-6969-137-9 | ISBN (PRINT) 978-88-6969-205-5 | Number of pages 316 | Dimensions 16x23cm | Published March 16, 2018 | Language en, it
Copyright © 2018 Gian Carlo Alessio, Domenico Losappio. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Introduzione
Capitoli