Series |
Medieval and Modern Philologies
Volume 15 | Review | The poetriae of the Latin Middle Ages
Abstract
This book offers a reflection upon Medieval Latin artes poetriae and aims to spur the scientific debate on them by means of eleven papers written by internationally-kwown scholars. The essays investigate, according to different perspectives and in different ways, various aspects of the artes: their relations with other texts (Latin and vulgar), their fortune, their sources, the cultural contexts in which they were read and commented, and single authors’ reflections upon specific questions.
Keywords Forms of versification • Jean de Sponde • Joglar • Dantes’s eclogues • Medieval latin commentaries • Versus rapportati • Geoffrey of Vinsauf • Guizzardo da Bologna • Raimbaut d’Aurenga • Medieval Latin • Medieval poetics • Latin art of poetry • Medieval literary genres • Medieval rhetoric • Ramon de Cornet • Gervase of Melkley • Dante • Etienne Jodelle • Rhetoric • Metaphor • Allegory • Defence of poetry • Matthew of Vendome • N’Ar de Mons • Italy • Politic discourse • Grammar • List of authors • Godmothers and foster mothers • Bartolomeo da San Concordio • Artes poetriae • Petrarch • Rota Vergilii • Diffusion in Germany • Poetic • Arnaut Daniel • Italian commentaries on the Poetria nova • Pace da Ferrara • Poetics • Bernardus Silvestris • Matthew of Vendôme • Mothers • Poetria nova • Medieval latin pastoral poetry • Occitan art of poetry • Laborintus • Medieval poetry • Humanism
Permalink http://doi.org/10.30687/978-88-6969-137-9 | e-ISBN 978-88-6969-137-9 | ISBN (PRINT) 978-88-6969-205-5 | Number of pages 316 | Dimensions 16x23cm | Published March 16, 2018 | Language en, it
Copyright © 2018 Gian Carlo Alessio, Domenico Losappio. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Introduzione
Capitoli