Disclosing Collections

Studies, Catalogues and Data in the Arts and the Humanities
     topic: archive­keeping, bibliography, paleography  
  • ISSN 2974-5276
  • e-ISSN 2974-5748
  • Language it
  • Permalink doi.org
Aims & Scope

Inspired by the process of scientific analysis and contextual public disclosure of collected materials in the wider Humanities, this academic book series aims at setting a new standard in producing catalogues, inventories, indexes, collection displays, data sets, and item lists. The series is grounded on the idea of both mapping and disclosing unprecedented territories, which are then left with infrastructures that allow them to be available to the research community and the wider public. In this sense, the series intends to go beyond traditional concepts such as the ‘catalogue raisonné’ or full inventory lists, rather trying to present publications in print and digital form that cut across a given collection of items and thus highlight categorisations, interconnections, and relevance attribution. Of particular importance is the methodology applied to the production of the finalised publication, which takes into account recent interdisciplinary stances, modes of research and forms of presentation prompted by scholars in the digital and public humanities, particularly the development and importance gained by relational databases. The scope of the series embraces the entire array of the Humanities: from Textual Scholarship to History, from Art History to Cultural Heritage, from Archaeology to Archival Studies. A distinctive feature of the series is its institutional interconnectedness, since publications are each the unique product of intense and planned collaboration with specific museums, libraries, collections, archives, estates, excavations, field works, and research institutions.

General info

  • peopleBoards
    Franz Fischer, Università Ca’ Foscari Venezia, Italia    
    Holger Essler, Julius-Maximilians-Universität Würzburg, Deutschland; Università Ca’ Foscari Venezia, Italia    

    Advisory Board
    Jean-Baptiste Camps, École National des Chartes, Paris, France    
    Paolo Cirio, Independent artist    
    Mats Dahlström, Högskolan i Borås, Sverige    
    Wiebke Denecke, Massachusetts Institute of Technology, USA    
    Lisa Dieckmann, Universität zu Köln, Deutschland    
    Amalia Levi, The HeritEdge Connection, Barbados; Universität Bonn, Deutschland    
    Andrea Nanetti, Nanyang Technological University, Singapore    
    Elena Pierazzo, Université de Tours, France    
    Dorit Raines, Università Ca’ Foscari Venezia, Italia    
    Marie Redmond, Trinity College Dublin, Ireland    
    Rebekah Rhodes, Colección SOLO, España    
    Peter Robinson, University of Saskatchewan, Canada    
    Arianna Traviglia, Centre for Cultural Heritage Technology, Istituto Italiano di Tecnologia, Venezia, Italia    

Proposal / Submission

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