Il lungo Cinquecento nelle volte dell’aristocrazia

« articolo precedente | articolo successivo »

Campo DC	Valore
dc.identifier	ECF_article_10625
dc.title	Il lungo Cinquecento nelle volte dell’aristocrazia. Giovanni Andrea dell’Anguillara al servizio di un Perseo ‘genovese’
dc.contributor.author	Casamassima Francesca
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2022/1/il-lungo-cinquecento-nelle-volte-dellaristocrazia/
dc.description.abstract	This contribution aims to analyse a cycle of frescoes at villa Spinola di San Pietro in Genoa. The paintings are attributed to some of the greatest artists who worked in the city in the 1620s and show a continuity of compositional, stylistic and thematic features that were typical of the sixteenth century. This article will also show the importance of Giovanni Andrea dell’Anguillara’s vernacular translation of the Metamorphoses by Ovid to the iconographic programme of the cycle.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 31 \| Dicembre 2022
dc.issued	2022-12-20
dc.dateAccepted	2022-10-25
dc.dateSubmitted	2022-09-30
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/VA/2385-2720/2022/08/002
dc.peer-review	yes
dc.subject	Frescoes
dc.subject	Iconography
dc.subject	Long sixteenth century
dc.subject	Metamorphosis
dc.subject	Vernacular translation

Articolo
open access peer reviewed

Giovanni Andrea dell’Anguillara al servizio di un Perseo ‘genovese’

Francesca Casamassima Università degli Studi di Genova, Italia

VIEW PDF DOWNLOAD PDF

abstract

This contribution aims to analyse a cycle of frescoes at villa Spinola di San Pietro in Genoa. The paintings are attributed to some of the greatest artists who worked in the city in the 1620s and show a continuity of compositional, stylistic and thematic features that were typical of the sixteenth century. This article will also show the importance of Giovanni Andrea dell’Anguillara’s vernacular translation of the Metamorphoses by Ovid to the iconographic programme of the cycle.

Pubblicato

20 Dicembre 2022

Accettato

25 Ottobre 2022

Presentato

30 Settembre 2022

Lingua

Keywords: Iconography • Frescoes • Long sixteenth century • Metamorphosis • Vernacular translation

permalink http://doi.org/10.30687/VA/2385-2720/2022/08/002

Copyright: © 2022 Francesca Casamassima. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Citazioni verso questo capitolo

How to cite