Rivista | Il Tolomeo
Fascicolo | 24 | 2022
Articolo | Antigone Power: una straniera alle frontiere dell’Europa
Antigone Power: una straniera alle frontiere dell’Europa
- Gaia De Luca - EHESS, Paris; Università di Napoli «L’Orientale», Italia - email
Abstract
In many respects, classics may be considered as a language, that was aptly used to legitimate the imperialist exploitation of white people over the so called “Third World countries”. My paper is aimed at understanding whether and to which extent the Greco-Roman Antiquity as such can become a tool for telling a submerged history and for bringing forth its non hegemonic subjects. I will take into consideration a collective experience conducted by a theatre company in the south of Italy during the summer of 2018. Through a workshop involving immigrant people in the city of Palermo, Ali Farah, a Somali-Italian writer, staged an experimental rewriting of Sophocles’ Antigone, which starts from the telling of personal stories of migration through the Mediterranean sea. Grounding my analysis in the comparison between Antigone’s defiance of the power and the crossing of borders, I will underline the revolutionary message that the rewriting of this myth in contemporary Fortress Europe delivers.
Presentato: 14 Luglio 2022 | Accettato: 17 Ottobre 2022 | Pubblicato 19 Dicembre 2022 | Lingua: it
Keywords Post-colonial • Classics • Borders • Citizenship • Migration
Copyright © 2022 Gaia De Luca. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Tol/2499-5975/2022/01/021
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_9929 |
|
dc.title |
Antigone Power: una straniera alle frontiere dell’Europa |
|
dc.contributor.author |
De Luca Gaia |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.type |
Articolo |
|
dc.language.iso |
it |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/il-tolomeo/2022/1/antigone-power-una-straniera-alle-frontiere-delleu/ |
|
dc.description.abstract |
In many respects, classics may be considered as a language, that was aptly used to legitimate the imperialist exploitation of white people over the so called “Third World countries”. My paper is aimed at understanding whether and to which extent the Greco-Roman Antiquity as such can become a tool for telling a submerged history and for bringing forth its non hegemonic subjects. I will take into consideration a collective experience conducted by a theatre company in the south of Italy during the summer of 2018. Through a workshop involving immigrant people in the city of Palermo, Ali Farah, a Somali-Italian writer, staged an experimental rewriting of Sophocles’ Antigone, which starts from the telling of personal stories of migration through the Mediterranean sea. Grounding my analysis in the comparison between Antigone’s defiance of the power and the crossing of borders, I will underline the revolutionary message that the rewriting of this myth in contemporary Fortress Europe delivers. |
|
dc.relation.ispartof |
Il Tolomeo |
|
dc.relation.ispartof |
Vol. 24 | Dicembre 2022 |
|
dc.issued |
2022-12-19 |
|
dc.dateAccepted |
2022-10-17 |
|
dc.dateSubmitted |
2022-07-14 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2499-5975 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/Tol/2499-5975/2022/01/021 |
|
dc.peer-review |
yes |
|
dc.subject |
Borders |
|
dc.subject |
Citizenship |
|
dc.subject |
Classics |
|
dc.subject |
Migration |
|
dc.subject |
Post-colonial |
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