Journal |
Venezia Arti
Monographic journal issue | 32 | 2023
Metamorphosis
open access | peer reviewedKeywords Battle of Lepanto • Biomorphic Abstraction • Germano Celant • Picasso • Trauma • Guggenheim Museum • Ecfrasis • Arte povera • Parody • Tombs • Liturgical furnishings • Grotesque • Armour • Annibal Caro • South Asian Art • Body • Animality • Humanist imagery • Postwar Print Art • Arch • Digital Collage • Medieval churches • Sacred space • Videoart • Romanitas • Jacopo Foscarini • Viani • Monster • The Italian Metamorphosis 1943-1968 • Waterplays • Saint marina • Remediation • Global Art • War • Contemporary Art • Ornament • Claudio Tolomei • Modernism • Venetian self-representation • Zoomorphism • Arp • Medieval oriental cults • Birolli • Basilisk • Rooster • Metamorphosis • Masson • Olga Tobreluts • Renaissance hydraulic engineering • Zadar • Made in Italy • New Renaissance • Transnational Art • Forties • Neoacademism • Facial Mutilations • Pakistani Art • Fountains • Venice • Snake
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language EN, it, en
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Medioevo ed Età Moderna
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The Beast Within, the Beast Without
Zoomorphic Armour Ornament and the Human-Animal Divide in the Material Culture of Renaissance War - Dec. 20, 2023
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From Triton Neptvni Tubicen to the Glory of Lepanto
The Early Modern Rebirth(s) of a Roman Arch in Zadar - Dec. 20, 2023
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Percorsi metamorfici della natura nel Cinquecento
L’acqua e le fontane nell’ecfrasi di Annibal Caro e Claudio Tolomei - Dec. 20, 2023
Contemporaneo
- The Visual Afterlife of les gueules cassées: Artistic Reception from the Interbellum to documenta 13
- Dec. 20, 2023
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«Nudi trasfigurati da una strana metamorfosi»
La scultura di Alberto Viani intorno alla metà degli anni Quaranta - Dec. 20, 2023
