Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Film • Performance • Russian ballet • Plague • Symbolism • Skin • Iconology • Illusion • Saint Sebastian • Nijinsky • Models • Prospero Clemente • Casts • Costume • Pordenone • Cult • Vanessa Beecroft • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Television • Body movements • Female • Dance notations • Stage • Body • Galindo • Abramović • Nicoletto da Modena • Iconography • Anna Moffo • Biopolitic • Soprano • Performance Art • Fruition • Device • Dance • Andrea Mantegna • Puer mingens • Marcantonio Magno • Neo-avant-garde • 1960s radicalism • Devotion • Gothic • Drawing • Franciscan saints • La Salpêtrière • Theatre • Performer • Printmaking • Theatre and performance • Opera • Avant-garde • Louvre • Emilia, Veneto • Ornamentation • Aesthetics and politics • Agamben • Padua • Revolutionary avant-garde

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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