Journal |
Venezia Arti
Monographic journal issue | 28 | 2019
The Body of Art
open access | peer reviewedKeywords Device • Neo-avant-garde • Performance Art • Film • Dance • Dance notations • Emilia, Veneto • Biopolitic • Illusion • Aesthetics and politics • Iconography • Skin • 1960s radicalism • Models • Marcantonio Magno • Saint Sebastian • Printmaking • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Television • Performance • Prospero Clemente • Pordenone • Soprano • Body • Abramović • Nijinsky • Performer • Devotion • Female • Nicoletto da Modena • La Salpêtrière • Agamben • Iconology • Padua • Vanessa Beecroft • Costume • Franciscan saints • Russian ballet • Theatre and performance • Galindo • Cult • Stage • Puer mingens • Anna Moffo • Theatre • Plague • Symbolism • Ornamentation • Fruition • Drawing • Revolutionary avant-garde • Avant-garde • Casts • Andrea Mantegna • Body movements • Gothic • Louvre • Opera
Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Editorial
- Dec. 11, 2019
Middle Ages and Modern Age
- The Representation of Holiness Between Realism and Devotion in the Polyptych of Montefiore dell’Aso by Carlo Crivelli
- Dec. 11, 2019
- Re-visioning St. Sebastian: Nicoletto da Modena’s Reworked Engravings of St. Sebastian
- Dec. 11, 2019
-
From Correggio to Pordenone
About a puer mingens of the Louvre - Dec. 11, 2019
- Circulation of Models: Casts from Michelangelo Between Emilia and Veneto, in the Second Half of the Sixteenth Century
- Dec. 11, 2019
Contemporary
-
The Electric Body
Ecstasy, Spasm and Instability in Dance: Movement Notation from Vladimir Stepanov to Vaslav Nijinsky - Dec. 11, 2019
- Salvador Dalí, the Hybrid Portraits of the 1920s
- Dec. 11, 2019
- The Second Skin
- Dec. 11, 2019
-
Remaking the Body Politic Anew through Mob and Gang
King Mob Echo and Up Against the Wall Motherfucker (1968-1970) - Dec. 11, 2019
-
The Female Body in the Artistic Research of the Late Twentieth Century
The Case of Vanessa Beecroft - Dec. 11, 2019
- Biopolitical Horizons in the Performative Actions of Marina Abramović and Regina José Galindo
- Dec. 11, 2019
Alia itinera
- Marcantonio Magno’s Emblem: New Considerations
- Dec. 11, 2019
