Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Device • Television • Film • Louvre • Dance notations • Emilia, Veneto • Marcantonio Magno • Gothic • Puer mingens • Pordenone • Performer • Prospero Clemente • Costume • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Padua • Anna Moffo • Aesthetics and politics • 1960s radicalism • Fruition • Galindo • Illusion • Russian ballet • Skin • Neo-avant-garde • Models • Plague • Symbolism • Avant-garde • Cult • La Salpêtrière • Revolutionary avant-garde • Body movements • Agamben • Ornamentation • Theatre • Abramović • Vanessa Beecroft • Printmaking • Franciscan saints • Performance Art • Body • Female • Stage • Theatre and performance • Performance • Devotion • Andrea Mantegna • Dance • Iconography • Nijinsky • Casts • Nicoletto da Modena • Saint Sebastian • Biopolitic • Opera • Soprano • Drawing • Iconology

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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