Journal |
Venezia Arti
Monographic journal issue | 28 | 2019
Keywords Abramović • Film • Anna Moffo • Costume • Galindo • Puer mingens • Printmaking • Neo-avant-garde • Body • Drawing • Iconology • Nijinsky • La Salpêtrière • Television • Russian ballet • Aesthetics and politics • Agamben • Devotion • Stage • Casts • Fruition • Illusion • Padua • Skin • Cult • Body movements • Emilia, Veneto • Theatre and performance • Prospero Clemente • Soprano • Iconography • Dance notations • Pordenone • Performer • Female • Ornamentation • Performance • 1960s radicalism • Avant-garde • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Louvre • Vanessa Beecroft • Opera • Biopolitic • Gothic • Franciscan saints • Performance Art • Marcantonio Magno • Plague • Device • Models • Nicoletto da Modena • Revolutionary avant-garde • Andrea Mantegna • Saint Sebastian • Dance • Theatre • Symbolism
Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it
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Middle Ages and Modern Age
Contemporary
Alia itinera