Edizioni Ca' Foscari

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Monographic journal issue
open access peer reviewed

The Body of Art

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Language: it, en

Published: Dec. 11, 2019

Keywords

Body movements • Body • Neo-avant-garde • Opera • Film • Skin • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Franciscan saints • Performer • Dance • Performance • Russian ballet • La Salpêtrière • Dance notations • Anna Moffo • Devotion • Padua • Soprano • Revolutionary avant-garde • Saint Sebastian • Galindo • Performance Art • Illusion • Abramović • Andrea Mantegna • Models • Cult • Drawing • Prospero Clemente • Printmaking • Costume • Aesthetics and politics • Symbolism • Gothic • Puer mingens • Stage • Theatre • Theatre and performance • Nicoletto da Modena • Louvre • Emilia, Veneto • Nijinsky • Fruition • Plague • Device • Avant-garde • Marcantonio Magno • Casts • Iconology • Agamben • Vanessa Beecroft • Female • Biopolitic • Pordenone • Television • Iconography • 1960s radicalism • Ornamentation

permalink http://doi.org/10.30687/VA/2385-2720/2019/05

Copyright: © 2019 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.