Journal |
JoLMA
Monographic journal issue | 3 | 2 | 2022
Keywords Margolis • Difference • Anfang • Philosophy • Dewey • Knowledge • Hegel • Linguistic Hospitality • Relativism • Target language • Ambiguity • Implicatures • Translation • Time-Space • Definition of art • Type-token • Cultural emergence • Aesthetics • Hermeneutics • German Romanticism • Translation’s practice • Kripke • Objectivity • Interpretation • Pluralism • Paul Ricoeur • Messianism • Compromise • Lexical Pragmatics • Pragmatism • Recognition • Historicism • Beiträge • Hybridisation • History of aesthetics • Definite Descriptions • Translation’s theory • Truth • Untranslatable • Luigi Pareyson • Language • Explicatures • Pragmatic objectivity • Plurality • Intentionality • Ontology of art • Walter Benjamin • Gadamer • Mediation • Source language • Philosophy of art • Joseph Margolis • Heidegger
Permalink http://doi.org/10.30687/Jolma/2723-9640/2022/02 | Published Dec. 20, 2022 | Language en
Copyright © Gian Luigi Paltrinieri, Francesco Camera, Alessandro Cavazzana. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Translation as Interpretation – Edited by Gian Luigi Paltrinieri and Francesco Camera
On Joseph Margolis’ Aesthetics. A Symposium – Edited by Alessandro Cavazzana