Journal |
JoLMA
Monographic journal issue | 2 | 1 | 2021
Image/Images: A Debate Between Philosophy and Visual Studies
open access | peer reviewed-
edited by
- Alessandro Cavazzana - Università Ca’ Foscari Venezia, Italia - email
- Francesco Ragazzi - Università Ca’ Foscari Venezia, Italia; Paris 1 Panthéon-Sorbonne, France - email
Keywords Causation • Narrative images • Art • Similarity • Structure • Philosophy of Mind • Relativism • Narrative media • Neuroscience • Narrative • Style • climate crisis; decolonial theory; visual art; Ind • Brain Imaging • Scientific models • Transformative • Analogy • Image • Narration • Images • Aesthetic appreciation • Photography • Projection • fMRI • Visual neuroscience • Protest images • R H Quaytman • Realism • Implicature • Vision • Denotation • Imagination • Body • Culture • Film frame • Pictorial narratives • Contemporary painting • Aesthetic nondifferentiation • Explanation • Meaning • Jacqueline Humphries • Response-dependence • Depiction • Dramatization • Aesthetics • Beth Harland • Art History • Mental Imagery • Metaphor • Mind-Object Identity • Picture perception • Mapping • Informational images • Representation • Pictures • Description • Visual Studies • Action
Permalink http://doi.org/10.30687/Jolma/2723-9640/2021/01 | Published June 30, 2021 | Language it, fr, en
Copyright © Alessandro Cavazzana, Francesco Ragazzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Where Images Make Their Wonder: An Introduction
- Alessandro Cavazzana, Francesco Ragazzi
- June 30, 2021
- Inspired by Spirals
- Georges Didi-Huberman
- June 30, 2021
- S’inspirer des spirales
- Georges Didi-Huberman
- June 30, 2021
- Realism Relativized: A Cultural-Historical Approach to What Images Capture
- Jesse Prinz
- June 30, 2021
- On the Narrative Potential of Depiction
- Katerina Bantinaki
- June 30, 2021
- The Treachery of Images: Why Images Do not Exist and There Are Only Flat Objects
- Riccardo Manzotti
- June 30, 2021
- Motoric Understanding and Aesthetic Appreciation
- Gabriele Ferretti
- June 30, 2021
- Perceiving Images and Styles
- Nathaniel Goldberg, Chris Gavaler
- June 30, 2021
- Neuroimaging. How to Question Scientific Images and Their Artistic Value
- Emanuele Carlenzi, Davide Coraci, Alessandro Pigoni
- June 30, 2021
-
Wittgenstein’s Bridge
A Linguistic Account of Visual Representation - Michael Biggs
- June 30, 2021
- The Visual Power of Photography and Its Status as a Representation
- Katarzyna Weichert
- June 30, 2021
-
The Productive Inadequacy of Image for Contemporary Painting
Image Based Operations in the Work of Beth Harland, Jacqueline Humphries and R.H. Quaytman - Moyra Derby
- June 30, 2021
- The Narrative Aesthetics of Protest Images
- Hannah Fasnacht
- June 30, 2021
- Decolonizing Visuality: The Artistic and Social Practices of Andrea Carlson
- Oliwia Olesiejuk
- June 30, 2021
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_issue_199 |
|
dc.title |
Vol. 2 | Issue 1 | June 2021 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.type |
Monographic journal issue |
|
dc.language.iso |
en |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/the-journal-for-the-philosophy-of-language-mind-an/2021/1/ |
|
dc.relation.ispartof |
JoLMA |
|
dc.issued |
2021-06-30 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2723-9640 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/Jolma/2723-9640/2021/01 |
|
dc.peer-review |
yes |
|
dc.subject |
Action |
|
dc.subject |
Action |
|
dc.subject |
Aesthetic appreciation |
|
dc.subject |
Aesthetic appreciation |
|
dc.subject |
Aesthetic nondifferentiation |
|
dc.subject |
Aesthetic nondifferentiation |
|
dc.subject |
Aesthetics |
|
dc.subject |
Aesthetics |
|
dc.subject |
Analogy |
|
dc.subject |
Analogy |
|
dc.subject |
Art |
|
dc.subject |
Art |
|
dc.subject |
Art History |
|
dc.subject |
Art History |
|
dc.subject |
Beth Harland |
|
dc.subject |
Beth Harland |
|
dc.subject |
Body |
|
dc.subject |
Body |
|
dc.subject |
Brain Imaging |
|
dc.subject |
Brain Imaging |
|
dc.subject |
Causation |
|
dc.subject |
Causation |
|
dc.subject |
Contemporary painting |
|
dc.subject |
Contemporary painting |
|
dc.subject |
Culture |
|
dc.subject |
Culture |
|
dc.subject |
Denotation |
|
dc.subject |
Denotation |
|
dc.subject |
Depiction |
|
dc.subject |
Depiction |
|
dc.subject |
Depiction |
|
dc.subject |
Depiction |
|
dc.subject |
Description |
|
dc.subject |
Description |
|
dc.subject |
Dramatization |
|
dc.subject |
Dramatization |
|
dc.subject |
Explanation |
|
dc.subject |
Explanation |
|
dc.subject |
Film frame |
|
dc.subject |
Film frame |
|
dc.subject |
Image |
|
dc.subject |
Image |
|
dc.subject |
Image |
|
dc.subject |
Image |
|
dc.subject |
Images |
|
dc.subject |
Images |
|
dc.subject |
Imagination |
|
dc.subject |
Imagination |
|
dc.subject |
Implicature |
|
dc.subject |
Implicature |
|
dc.subject |
Informational images |
|
dc.subject |
Informational images |
|
dc.subject |
Jacqueline Humphries |
|
dc.subject |
Jacqueline Humphries |
|
dc.subject |
Mapping |
|
dc.subject |
Mapping |
|
dc.subject |
Meaning |
|
dc.subject |
Meaning |
|
dc.subject |
Mental Imagery |
|
dc.subject |
Mental Imagery |
|
dc.subject |
Metaphor |
|
dc.subject |
Metaphor |
|
dc.subject |
Mind-Object Identity |
|
dc.subject |
Mind-Object Identity |
|
dc.subject |
Narration |
|
dc.subject |
Narration |
|
dc.subject |
Narrative |
|
dc.subject |
Narrative |
|
dc.subject |
Narrative images |
|
dc.subject |
Narrative images |
|
dc.subject |
Narrative media |
|
dc.subject |
Narrative media |
|
dc.subject |
Neuroscience |
|
dc.subject |
Neuroscience |
|
dc.subject |
Philosophy of Mind |
|
dc.subject |
Philosophy of Mind |
|
dc.subject |
Photography |
|
dc.subject |
Photography |
|
dc.subject |
Pictorial narratives |
|
dc.subject |
Pictorial narratives |
|
dc.subject |
Picture perception |
|
dc.subject |
Picture perception |
|
dc.subject |
Pictures |
|
dc.subject |
Pictures |
|
dc.subject |
Projection |
|
dc.subject |
Projection |
|
dc.subject |
Protest images |
|
dc.subject |
Protest images |
|
dc.subject |
R H Quaytman |
|
dc.subject |
R H Quaytman |
|
dc.subject |
Realism |
|
dc.subject |
Realism |
|
dc.subject |
Relativism |
|
dc.subject |
Relativism |
|
dc.subject |
Representation |
|
dc.subject |
Representation |
|
dc.subject |
Representation |
|
dc.subject |
Representation |
|
dc.subject |
Representation |
|
dc.subject |
Representation |
|
dc.subject |
Response-dependence |
|
dc.subject |
Response-dependence |
|
dc.subject |
Scientific models |
|
dc.subject |
Scientific models |
|
dc.subject |
Similarity |
|
dc.subject |
Similarity |
|
dc.subject |
Structure |
|
dc.subject |
Structure |
|
dc.subject |
Style |
|
dc.subject |
Style |
|
dc.subject |
Transformative |
|
dc.subject |
Transformative |
|
dc.subject |
Vision |
|
dc.subject |
Vision |
|
dc.subject |
Visual Studies |
|
dc.subject |
Visual Studies |
|
dc.subject |
Visual neuroscience |
|
dc.subject |
Visual neuroscience |
|
dc.subject |
climate crisis; decolonial theory; visual art; Ind |
|
dc.subject |
climate crisis; decolonial theory; visual art; Ind |
|
dc.subject |
fMRI |
|
dc.subject |
fMRI |