Journal | Rassegna iberistica
Journal issue | 45 | 117 | 2022
Research Article | No hay burlas con el amor and the Finicky Educated Lady from Calderón to Molière
No hay burlas con el amor and the Finicky Educated Lady from Calderón to Molière
- Ilaria Resta - Università degli Studi Roma Tre, Italia - email
The aim of this article is to undertake a reflection on the caricatural character of Quevedo’s culta latiniparla and her inclusion in No hay burlas con el amor, urban comedy by Calderón de la Barca. The article will adopt a transnational and intertextual approach linked to the reception outside Iberian borders of educated woman who boast a pompous language. In particular, following a series of critical controversies on the possibility that Molière could have been inspired by this play for his work Les femmes savantes, a contrastive analysis will be carried out to assess the real entity of the Calderonian reverberations in Molière’s text, showing both points of contact and discrepancies related to reworking the wise and hembrilatina lady cliché.
Submitted: Feb. 17, 2021 | Accepted: Oct. 4, 2021 | Published: June 22, 2022 | Language: es
Keywords Comedia urbana Culta latiniparla Intertextuality Urban comedy Molière Intertextualidad Francisco de Quevedo Calderón de la Barca
Copyright © 2022 Ilaria Resta. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/18/002
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_6591 |
|
dc.title |
No hay burlas con el amor and the Finicky Educated Lady from Calderón to Molière |
|
dc.contributor.author |
Resta Ilaria |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.type |
Research Article |
|
dc.language.iso |
es |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2022/117/no-hay-burlas-con-el-amor-y-la-culta-melindrosa-de/ |
|
dc.description.abstract |
The aim of this article is to undertake a reflection on the caricatural character of Quevedo’s culta latiniparla and her inclusion in No hay burlas con el amor, urban comedy by Calderón de la Barca. The article will adopt a transnational and intertextual approach linked to the reception outside Iberian borders of educated woman who boast a pompous language. In particular, following a series of critical controversies on the possibility that Molière could have been inspired by this play for his work Les femmes savantes, a contrastive analysis will be carried out to assess the real entity of the Calderonian reverberations in Molière’s text, showing both points of contact and discrepancies related to reworking the wise and hembrilatina lady cliché. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 45 | Issue 117 | June 2022 |
|
dc.issued |
2022-06-22 |
|
dc.dateAccepted |
2021-10-04 |
|
dc.dateSubmitted |
2021-02-17 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/Ri/2037-6588/2022/18/002 |
|
dc.peer-review |
yes |
|
dc.subject |
Calderón de la Barca |
|
dc.subject |
Comedia urbana |
|
dc.subject |
Culta latiniparla |
|
dc.subject |
Francisco de Quevedo |
|
dc.subject |
Intertextualidad |
|
dc.subject |
Intertextuality |
|
dc.subject |
Molière |
|
dc.subject |
Urban comedy |
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