Journal | Rassegna iberistica
Journal issue | 41 | 110 | 2018
Research Article | The Goths of Cervantes
The Goths of Cervantes
- Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email
Abstract
The present work aims to trace a panoramic view of the presence and function of Visigothic elements in Cervantes’ work. The article pays attention to appearances of Gothic characters and episodes in theatre (La Numancia), the Quijote and poetry, which is crucial to examine the evocation of Spain’s Gothic past in the Persiles (III, 8), a passage which is meant as a minichorography that replies to Toledo’s efforts to recover its symbolical power (political and religious), in a new area of conflict with Lope and Avellaneda.
Submitted: Oct. 30, 2017 | Accepted: June 14, 2018 | Published Dec. 11, 2018 | Language: es
Keywords Goths • Avellaneda • Neogothic myth • Toledo • National identity • Cervantes • Persiles • Chorography • Lope de Vega
Copyright © 2018 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Ri/2037-6588/2018/110/002
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_1389 |
|
dc.title |
The Goths of Cervantes |
|
dc.contributor.author |
Sáez Adrián J. |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
es |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2018/110/los-godos-de-cervantes/ |
|
dc.description.abstract |
The present work aims to trace a panoramic view of the presence and function of Visigothic elements in Cervantes’ work. The article pays attention to appearances of Gothic characters and episodes in theatre (La Numancia), the Quijote and poetry, which is crucial to examine the evocation of Spain’s Gothic past in the Persiles (III, 8), a passage which is meant as a minichorography that replies to Toledo’s efforts to recover its symbolical power (political and religious), in a new area of conflict with Lope and Avellaneda. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 41 | Issue 110 | December 2018 |
|
dc.issued |
2018-12-11 |
|
dc.dateAccepted |
2018-06-14 |
|
dc.dateSubmitted |
2017-10-30 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/Ri/2037-6588/2018/110/002 |
|
dc.peer-review |
yes |
|
dc.subject |
Avellaneda |
|
dc.subject |
Avellaneda |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Chorography |
|
dc.subject |
Chorography |
|
dc.subject |
Goths |
|
dc.subject |
Goths |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
National identity |
|
dc.subject |
National identity |
|
dc.subject |
Neogothic myth |
|
dc.subject |
Neogothic myth |
|
dc.subject |
Persiles |
|
dc.subject |
Persiles |
|
dc.subject |
Toledo |
|
dc.subject |
Toledo |
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