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Los godos de Cervantes

Adrián J. Sáez    Università Ca’ Foscari Venezia, Italia    

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abstract

The present work aims to trace a panoramic view of the presence and function of Visigothic elements in Cervantes’ work. The article pays attention to appearances of Gothic characters and episodes in theatre (La Numancia), the Quijote and poetry, which is crucial to examine the evocation of Spain’s Gothic past in the Persiles (III, 8), a passage which is meant as a minichorography that replies to Toledo’s efforts to recover its symbolical power (political and religious), in a new area of conflict with Lope and Avellaneda.

Pubblicato
11 Dicembre 2018
Accettato
14 Giugno 2018
Presentato
30 Ottobre 2017
Lingua
ES

Keywords: Lope de VegaAvellanedaChorographyPersilesCervantesGothsNational identityNeogothic mythToledo

Copyright: © 2018 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.