7 | 2018

Keywords Titian • N • Raffaele Vincenzo Barone • Giuseppe De Nittis • Impressionism • Valenti Gonzaga • 19th Century Italian paintings • Andrea Mantegna • Veit • Rome • Applied arts • Joseph Michael Gandy • Picturesque • Dante’s mask • Høyen • Connoisseurship • George Augustus Wallis • La Jeune Belgique • Koch • Cottages • Abbozzo • Delacroix • Etchings • Belgium • Cernusco sul Naviglio • Academy of Arcadia • Pattern book • Francesco Hayez • Charles Heathcote Tatham • Arcadian Iconography • Paul Delaroche • Stanze a boschereccia • Art collections • Theatre decoration • Degas • Ambrogio Uboldo • Brera • Giuseppe Sogni • Mussini • Grand Tour • Mural painting • L’Art Moderne • Matteo Casella • Salon • Ingres • Getty Research Institute • 19th Century French paintings • Milan • L • Market • Experimental series • James Malton • Vittorio Pica • Cultural exchanges • Papal states • Argentinian art • Claude Monet

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

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