7 | 2018

Keywords Stanze a boschereccia • Matteo Casella • Charles Heathcote Tatham • Brera • Etchings • Applied arts • La Jeune Belgique • Rome • Koch • Abbozzo • L’Art Moderne • Argentinian art • Giuseppe Sogni • L • Ambrogio Uboldo • Titian • Dante’s mask • Art collections • Arcadian Iconography • Grand Tour • George Augustus Wallis • Market • Academy of Arcadia • Salon • Cultural exchanges • 19th Century French paintings • Francesco Hayez • Papal states • Getty Research Institute • Paul Delaroche • Raffaele Vincenzo Barone • Delacroix • Cernusco sul Naviglio • Claude Monet • Degas • Cottages • Pattern book • Connoisseurship • Impressionism • Høyen • Vittorio Pica • N • Picturesque • Giuseppe De Nittis • Valenti Gonzaga • Belgium • Mural painting • Joseph Michael Gandy • Andrea Mantegna • Theatre decoration • Ingres • Experimental series • James Malton • Mussini • Milan • Veit • 19th Century Italian paintings

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.