Journal |
MDCCC 1800
Journal issue | 7 | 2018
Keywords Ambrogio Uboldo • Charles Heathcote Tatham • Dante’s mask • Stanze a boschereccia • Vittorio Pica • Francesco Hayez • Rome • Mural painting • James Malton • Titian • Degas • Delacroix • Brera • Giuseppe De Nittis • 19th Century French paintings • Koch • Academy of Arcadia • Picturesque • Milan • Arcadian Iconography • La Jeune Belgique • Mussini • N • L’Art Moderne • Argentinian art • Theatre decoration • Experimental series • Raffaele Vincenzo Barone • Cultural exchanges • Art collections • Etchings • Belgium • Cottages • Papal states • Abbozzo • L • Getty Research Institute • Connoisseurship • Paul Delaroche • Joseph Michael Gandy • Impressionism • Valenti Gonzaga • Høyen • Matteo Casella • Claude Monet • Andrea Mantegna • Grand Tour • Ingres • Salon • 19th Century Italian paintings • Giuseppe Sogni • Market • Applied arts • George Augustus Wallis • Pattern book • Veit • Cernusco sul Naviglio
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language it, es
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Articles