MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Eclecticism • Photography • Weltausstellung • Expositions Universelles • Egypt • Russian painters in America • Adolfo Hohenstein • American Artists • Islamic Art • Lombardy • Paris • Divisionismo • Antonio Salviati • Landscape painting • Vienna • Russian fine art • Costantino Gilodi • Zaragoza • Peredvizhniki • Commission of monuments • Paris 1867 • Ottoman Turkey • World’s Columbian Exposition • Giacomo Salvadori • Ottoman Empire • Avant-garde Exhibitions • Heritage • Mosaic • Imperial Fine Arts Academy • World Fairs • World’s Fair • Art Exhibition • Khedive Ismail • Fin-de-siècle • Emilio Longoni • Industrial arts • Murano • Display • Colonialism • Art nouveau • Simbolism • Eugenio Linati • Glasswork • Decorative arts • Surrealism • Como • Exhibition • Exposition Universelle • Carlo Ceppi • Alessandro Volta • Cosmopolitanism • American Art • Liberty • Persia

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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