Journal |
MDCCC 1800
Monographic journal issue | 6 | 2017
6 | 2017
open access | peer reviewed
Keywords Carlo Ceppi • Fin-de-siècle • Lombardy • Ottoman Turkey • American Art • Russian painters in America • Display • American Artists • Egypt • Costantino Gilodi • Art nouveau • Glasswork • Antonio Salviati • Mosaic • Paris 1867 • Zaragoza • Vienna • Persia • Islamic Art • Industrial arts • World’s Fair • Exhibition • Photography • Weltausstellung • Liberty • Como • Peredvizhniki • Expositions Universelles • Divisionismo • Landscape painting • Avant-garde Exhibitions • Khedive Ismail • Ottoman Empire • Paris • Eclecticism • Simbolism • Adolfo Hohenstein • Cosmopolitanism • Emilio Longoni • Heritage • Surrealism • World’s Columbian Exposition • Eugenio Linati • Colonialism • Giacomo Salvadori • Art Exhibition • World Fairs • Imperial Fine Arts Academy • Commission of monuments • Alessandro Volta • Russian fine art • Decorative arts • Murano • Exposition Universelle
Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it
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Introduction
- Introduction
- July 31, 2017
Arts on Display. The 19th Century International Expositions
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From the Rue des Nations to the Rue aux Lèvres
The 1938 International Surrealist Exhibition Parody of the 1889 and 1900 World Fair Cityscapes - July 31, 2017
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Masterpieces of Lightness and Grace
Murano glass at the Universal Exhibitions in Paris - July 31, 2017
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Displays of Islamic Art in Vienna and Paris
Imperial Politics and Exoticism at the Weltausstellung and Exposition Universelle - July 31, 2017
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Art, Celebration and Progress
Como and the Volta’s Exposition of 1899 - July 31, 2017
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Turin 1898-Paris 1900
Carlo Ceppi, Costantino Gilodi e Giacomo Salvadori between Tradition and Innovation - July 31, 2017
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Lesson Learned
American Art at the Paris World’s Fair of 1867 - July 31, 2017
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Russian Fine Arts Section at the World’s Columbian Exposition 1893
Notes on Organization and Reception - July 31, 2017
