MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Industrial arts • Eugenio Linati • Ottoman Empire • Adolfo Hohenstein • Ottoman Turkey • Peredvizhniki • Alessandro Volta • Colonialism • World’s Columbian Exposition • Russian fine art • Emilio Longoni • Persia • World’s Fair • Como • Decorative arts • Lombardy • Khedive Ismail • Simbolism • American Art • Art Exhibition • Egypt • Photography • Costantino Gilodi • Murano • Surrealism • Carlo Ceppi • American Artists • Antonio Salviati • Imperial Fine Arts Academy • Art nouveau • Eclecticism • Mosaic • Expositions Universelles • Landscape painting • Zaragoza • Exhibition • Vienna • Glasswork • Heritage • Exposition Universelle • Paris • World Fairs • Giacomo Salvadori • Fin-de-siècle • Paris 1867 • Russian painters in America • Divisionismo • Islamic Art • Commission of monuments • Cosmopolitanism • Display • Liberty • Avant-garde Exhibitions • Weltausstellung

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.